Theory

Art historian Ian Jeffrey has sifted through WWII soldier albums and selected the most compelling photos to create a record of lives that have seen the unprecedented. Style & content of the photographs changed along with the collective mood after 1942.

In 1972, at the beginning of his career, Lewis BALTZ conducted an insightful interview in which he describes the nature of his work and his position in the world of photography. First publication of the previously unpublished interview.

'Perspektive Fine-Art' by Andreas weidner is a textbook about analog, thoughtful b/w photography. It is a sophisticated textbook that familiarizes the practitioner with analog technique and materials and shows him how to use them for his own image ideas.

In 'Workshop. S/W-Fotografie nach dem Zonensystem', Andreas WEIDNER, a representative of fine art photography in the tradition of f/64 group around Ansel ADAMS, Edward WESTON & Imogen CUNNINGHAM, shows its consistent application with large format camera.

Timm RAUTERT'S work cycle 'Image Analytical Photography' is considered a major work of photography in the 1960s and 1970s and is at a time of radical discussion about the social relevance of art. This time it comes as a linen-bound edition.

Publication for the exhibition of the Brandenburg Gate Foundation (Atelier Liebermann). The digitized and scaled-down version of 'Atlas overview 1: 2' from 2016 printed on aluminum dibond was edited again by Gerhard RICHTER.

Richly illustrated compendium with many readable and interesting essays. The extensive field of amateur or commercial photography is examined: pictures that were created for bureaucracy, commerce & for personal commemoration - in contrast to artistic use.

The catalog accompanies the exhibition SUBJECT AND OBJECT. PHOTO RHINE RUHR and contains many illustrations, current texts and photo-historically significant articles. It examines relationships between different photographic positions that have developed.

Published in conjunction with an exhibition featuring photographs by three remarkable photographers at the San Francisco Museum of Modern Art to show their work, their relationship to one another and their place in the history of photography in the 1970s.

In the 1st volume of the DISCOURSE series 'Migrant Mother, Migrant Gender', cultural theorist Sally Stein takes up Dorothea LANGE's now famous portrait and proposes to see it as a disturbing image for women's conflicted relationship to home and the world.