Reception history

In 'Fotografiegeschichte der Abstraktion' (Photographic history of abstraction), Kathrin Schönegg traces the history of photography: from the experimental beginnings in the 1830s, through (pseudo)scientific, applied & artistic contexts, to digitalization.

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 12,5 x 20,5 x 1 cm., 112 S., 60 S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

The photo book 'Dr. Paul Wolff & Alfred Tritschler. Printed Images' shows how 35mm Leica photography changed society and consumers in the Weimar Republic period and the 'Third Reich', and the leading role played by the two photographers in this process.

Out-of-print, German-English language 'Dear Aby Warburg. What can be done with images?' traces the specific artistic practice in dealing with photographic material and makes it clear that context & actualization are decisive for the meaning of photographs

For 'Harter Blick, stille Stadt und ein Fotoraf, der zur Rakete wird', jounalist & critic Freddy LANGER has selected 150 titles from a trove of reviews that he believes will endure. Among them are classics and a selection of little-noticed young talents.

In this first detailed monograph, Karl Blossfeldt. 'Variationen', which is entirely dedicated to the reception of his photographic work, Karl BLOSSFELDT expert Ulrike Meyer Stump analyzes the reproductions and traces the paths of some plant motifs.

Out-of-print dissertation volume 'Am Rande der Fotografie' ('At the Edge of Photography: A Mediality History of the Photogram in the 19th Century') by Katharina Steidl, deals explicitly with the exclusion of women as producers of cameraless photographs.

In his 'The Americans List II' Jason ESKENAZI collected answers by photographers visiting the 'Looking In' exhibition about 'The Americans' by Robert FRANK, choosing their favorite image and why. The book could to become a classic in photography education

HC with dust jacket, 14 x 22 x 2 cm., 137 pp., ONLY GERMAN LANGUAGE