Photo journalism

HC (no dust jacket, as issued), 25 x 33 x 2 cm., 152 pp., 74 color ills., text language: English

Der Fotoband 'American Gothic' von Gordon PARKS enthält die 1942 entstandene Serie über die Regierungsangestellte Ella Watson mit mehr als 50, zum Teil bislnag unveröffentlichten S/W-Aufnahmen, zusätzlichem Archiv- sowie sehr informativem Textmaterial.

The out-of-print photo volume 'Stepping Through the Ashes' by US Magnum photographer Eugene RICHARDS is a commemoration, a reflection on the events of 9/11 and an elegy to those who lost their lives. With a text by Janine Altongy.

The photo book 'The Flavio Story' explores a picture story by Gordon PARKS and the extraordinary chain of events it prompted when published in 'Life', June 1961. The essay elicited more than 3,000 letters and $25,000 in donations from Life readers to help

Probably no book about Sinti and Roma can do without any clichés, perhaps not even 'Stigma' by Adam LACH. Nevertheless, it is characterized by a very personal mood, which is perhaps also evoked by the charisma that resonates in every self-published book.

Pb., 20,5 x 27 cm., 160 pp., b/w ills., text language: English

The book 'Silk Road. 1956-1974' deals with the journeys of Emilia 'Milli' BAU with a wealth of images and text material from three decades. She traveled the Middle and Far East; the pictures and the diary-like texts describe what she saw and experienced.

In 'Ukrainian Night', Miron ZOWNIR documents drug addicts from Poltava, homeless people at Kiev Central Station, street children in Odessa & Chernivtsi, revealing the profound fault lines in Ukrainian society that were already heralding the revolution.

Gilles PERESS' book of photographs, 'Annals of the North', explores the multi-layered conflict in Northern Ireland. It captures a broad spectrum of the conflict, is deeply personal, depressing as well as humorous, and also factual, political and literary.

'Interrogations' is the result of a search for the hidden meaning of the bloody 20th century. Donald WEBER addresses his questions to both the living survivors and the ghosts of the state's countless victims: cops, laborers, thugs, dissidents and goons.