Photo journalism

'Living Apart' by Magnum member Ian BERRY includes work from the 1960s for Drum magazine as well as key moments from the 1990s during the collapse of apartheid: the rise of Mandela, reconciliation, & the alarming escalation of urban problems and violence.

'Am I exploiting the people in my pictures? Is it moral to work as a war photographer? Why are we attracted to images of other's misery? Am I producing war pornography?' In 'War Porn' Christoph BANGERT dares to experiment with turning off self-censorship.

In 'Unresolved' Meinrad SCHADE examines how conflicts also show themselves in everyday life. The series, made in Israel & Palestine, is the continuation of his long-term project 'Krieg ohne Krieg' documenting landscapes and people in the grip of conflicts

Inspired by military manuals, American ex-soldier Ben Brody's diary-like photo book 'Attention Servicemember' is a passionate exploration of the wars in Iraq and Afghanistan.

The US report in out-of-print book 'Heartland' by Thomas HOEPKER is a prime example of committed photojournalism personally interpreted, of photography as reportage at the highest level of formal aestheticism. Photo history and at the same time up to date

HC (no dust jacket, as issued) 19,5 x 22,5 x 1,5 cm., 88 pp., 54 color ills., text language: Swedish

For this out-of-print photo volume, 'Roma', Joseph KOUDELKA has revised and expanded 'Gypsies'. This book contains all black-and-white photographs taken between 1962 and 1971 from Bohemia, Moravia, Slovakia, Romania, Hungary, France as well as from Spain.

The powerful black-and-white images in out-of-print photographic volume 'London 1958-59' by Chilean Magnum photographer Sergio LARRAÍN present a vivid portrait of a coal-fired, smoke-filled London long gone.

HC (no dust jacket, as issued), 21,5 x 29 x 3 cm., 272 pp., 1,600 ills., text language: English

In out-of-print volume 'This is War' Moises SAMAN shows what war really means: pain, destruction, darkness. The images are far from that reality that today's media present in the form of hypertechnical video games, as shiny and manipulated TV productions.