Leica

'Raval' by Joan COLOM combines the modernist avant-garde of the 50s with the 'dark', pessimistic tradition of Franco-era Spain. For years he explored the Raval neighborhood in Barcelona, now 'Barrio Chino', sawing himself as a witness to a social theater.

The out-of-print 'Los Alamos Revisited'-set represents the final treatment of the famous series taken by William EGGLESTON between 1965 and 1974 during his USA trip. The three-volume set also includes the original first edition essay by Thomas Weski.

5 x HC, 38 x 42 x 16,5 cm. in a five volume set: Vol.1 / Circus: 104 pp., 82 tritone ills.; Vol.2 / Brooklyn Gang: 120 pp., 95 tritone ills.; Vol.3 / Time of Change: 168 pp., 144 tritone ills.; Vol.4 / East 100th Street: 168 pp., 149 tritone ills.; Vol.5

The accompanying catalog of the retrospective of the work by Saul LEITER features his early black-and-white as well as color photographs and, for the first time, his fashion photography, also the overpainted nudes, his paintings as well as his sketchbooks

HC, 28 x 31,5 cm., 240 pp., 172 color ills.

Actual print run, linen bound HC with dust jacket, 20 x 20 x 2 cm., 168 pp., 100 color ills., text language: English

The volume 'Fabrik' by Jakob TUGGENER conveys a critical view of the destructive potential of unchecked technological progress at a time when the arms industry was producing weapons for war. The uncompromisingly subjective photography underlines his view.

The 80 b/w images in the book 'Paris' by Robert FRANK indicate how his experiences in the 'new world' have sharpened his eye: the city streets as a stage for human activity. The work clearly refers to Eugene ATGET and invokes the tradition of the flâneur.

With his book 'The Americans', in which he examines everyday life in the U.S. to show people plagued by racism, mistreated by its politicians, and jaded by a rapidly growing consumer culture, Robert FRANK changed the course of the 20th century photography

The out of print photo book 'Paris' contains color photos & sketches from and from Paris. For three years William EGGLESTON worked and designed with color - the bright yellow of a shop front, the intense blue of a street sign, the colors of a carousel.