Leica

'Black and White' shows the lesser-known facet of the work of the photographer Fred HERZOG who emigrated in the early 1950s to Vancouver. Complementing 'Modern Color', it gathers almost graphic scenes of light & shadow and moments of life outside the city

In his artistic beginnings in the early 1950s, William EGGLESTON photographed with a 35mm high-speed film in black and white. 'Before Color' contains b/w photos of the pioneer of color photography discovered some time ago in the Eggleston Trust archive.

2nd printrun, slipcased set of 2 linen bound HCs, each with dust jacket, 20 x 20 x 2 cm., 388 pp., b/w ills., text language: English

This out-of-print photographic volume 'London 1949' by René GROEBLI is the result of a two-week-staying in the bombed-out capital with his rolleiflex camera. The 2nd part of the book contains a series of images shot at London's Crystal Palace Park in 1951

'Contacts' is a collection of William KLEIN’s famous contact sheets. The most important works of this great artist have been chosen and printed from these contact sheets, which can be either detached and framed or kept in their original form in the book.

'Peru' is of great historical importance in the history of photography. Some images of this series were known, but previously the entire series had been seen by only a few people. The volume presents the complete sequence of images, based on the original.

The photo volume 'Pangnirtung' by Robert FRANK is about a village in the Arctic Circle. However, there are no people to be seen in the images. In a harsh yet lyrical tone, he shows the deserted harbor, a haberdashery, a telephone booth and the cemetery.

'Subway', the new edition of 1986s original. In 1980 Bruce DAVIDSON began photographing the New York subway system. At first in black and white, but he soon realized that color film was necessary to depict the intensity of this graffiti-covered landscape.

Two slipcased HC, 20,5 x 26,5 cm., 344 pp., English

'In History' shows how Susan MEISELAS deals with basic questions such as the relationship to her subjects, use & distribution of her images, and the relationship of images to history & memory. A contribution to the debate on contemporary photojournalism.