60s

In 1968, Robert ADAMS photographed the nondescript area south of Colorado Springs. The b/w images, clear in their description, embodied the contemporary landscape of the US frontier - a theme of far-reaching significance taken up by the 'New Topographics'

This version of 'The Democratic Forest' contains a selection from the ten-volume set from 2015. William EGGLESTON has developed a unique style that skilfully combines local themes with an innate, nuanced understanding of color, shape and composition.

'Daido Moriyama: A Retrospective' reveals an ever-evolving career: his early editorial work in the mid-1960s; radical experiments of the late 1960s and 1970s; the self-reflexive photographs of the 1980s and 1990s; and his ongoing exploration of cities.

Edited by Walter M. Weiss. Hardcover with dust jacket, 28,5 x 31 cm., 320 S., S/W- & Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Slipcased Set of 2 Pb., 18,5 x 26 x 2,5 / 1 (text) cm., 168 (+78) pp., b/w & color ills

In 2014, the Bibliothèque nationale in Paris organized a retrospective for PETERSEN, on which this great monograph - as it were the first, comprehensive appreciation of the work - this great humanist photographer has appeared as an accompanying catalog.

The catalog 'Fortschritt als Versprechen' (Progress as promise. Industrial photography in divided Germany) places commissioned works in the context of their contemporary use for the first time. The focus is on the concepts linked in East and West Germany.

'Kiosk. A History of Photojournalism 1839-1973' by Robert LEBECK & Bodo von Dewitz (ICP Infinity Award 2002) leads you in nine chapters through the eras of international photojournalism and offers an overview of the topics of past decades and centuries.

This volume, 'Once, When We Were Happy' by Misha PIPERCIC, is about family and his hometown Sarajevo, as well as Bosnia, about former Yugoslavia, feelings, survival, fears, understanding & not understanding the war, wounds & healing. His red line is LOVE.