Kehrer Verlag

In 'Land ohne Eltern', Andrea DIEFENBACH describes the situation of migrant workers from Moldova. The photos illustrate the distance between two spatially separated worlds: that of the children left behind at home and that of the parents in the distance.

'Here Far Away. Photographs 1964-2011' presents a comprehensive retrospective of the work of photographer Pentti SAMMALAHTI. It takes its viewers from his native Scandinavia through the Soviet republics & Siberia, Europe & Great Britain, Asia & Africa.

In 'We Share the Meal' by Lars BORGES, the complex relationship with food is explored through a personal relationship. A fictional journey, because all forms of social coexistence are connected by narratives that not infrequently emerge at dinner table.

GERMAN ED. with english text booklet! Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 23,5 x 21 x 2 cm., 160 S., + 8-seitiges Booklet, 133 Frab- und S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

New Ed., HC (no dust jacket, as issued), 24,5 x 31,5 x 2,5 cm., 200 pp., 128 duotone b/w ills., bilingual texts: German / English

For her photo book 'Betweenness', Israeli photographer Lili ALMOG was inspired by the veiling practices of an extremist Jewish sect. In a novel representation of the veil, she raises questions about freedom and faith and how these truths can coexist today

The images contained in 'Abandoned Moments' by Ed KASHI show fleeting yet unique moments full of exuberant energy - the chaos of everyday life. In contrast to his journalistic approach, here he abandons himself entirely to the untamed energy of the moment

This survey is a tribute to Indian photojournalist and Pulitzer Prize winner Danish SIDDIQUI, who was murdered while on assignment in Afghanistan on July 16, 2021. His photographs expose what is happening in the world and cannot be dismissed or ignored.

'Lake Erie' by Lynn WHITNEY capture a mood of diverse communities, changing landscapes as well as deeply rooted local history(s). Inspired by the work of Frank GOHLKE on the Erie Lake, her special eye for the unique, endangered landscape guides her.

Jassica BACKHAUS shows in 'Jesus and the Cherries' people in their apartments, at work, and in the untouched Polish landscape. The pictures are neither intrusive nor tactless; she encounters people with dignity and full of admiration for the way of life.