Best of 2020

'Polaroid SX-70' is a facsimile that was compiled by William EGGLESTON himself and contains the only photos he has ever taken with this medium. It consists of 56 Polaroid shots - made between 1972 and 1981 - assembled by hand in a black leather album.

Three-photo-volume-set 'The Outlands' by William EGGLESTON are drawn from the photos he made on color transparency film from 1969 to 1974 that formed the basis for 'Chromes' and for the seminal exhibition at the MoMA in 1976 curated by John Szarkowski.

The photographic catalog volume 'Aenne Biermann. Fotografin' presents the work of the self-taught photographer as an example of photographic modernism beyond the centers of the avant-garde and also addresses the self-image of bourgeois women in the 1920s.

„The photo book ‚William Eggleston 414‘ is Harmony Korine & Juergen TELLER’s visual memoir of a road trip they took ten years ago with William EGGLESTON and his son, Winston, from Memphis to Mississippi.

New edition. 'So it goes, so it goes' by Miho KAJIOKA presents a work about time, memory and place. The series shows intuitive images of fragments of their everyday life at different points in time. Inspiration was Kurt Vonnegut's novel 'Schlachthof 5'.

The renowned photographer Anders PETERSEN documented the goings-on in his home city of Stockholm between 2015 and 2018. The result is the photographic volume 'Stockholm', a typical collection of energetic black-and-white images of a rapidly growing city.

'Morals of Vision' continues the series of new releases of William EGGLESTON's artist books after 'Flowers' na 'Election Eve'. 1978's design was largely retained, the images were fixed by hand. In this way the character of the artist's book was preserved.

With the photo book 'La Cucaracha', the South African photographer Pieter HUGO has once again succeeded in creating an impressive social portrait in which he was more interested in the people of Mexico than in the country's architecture or economy.

B/w photographs from the 1920s to 1950s, some of which were published for the first time, create a small custom painting of a time when not only the region, which is still rural, has crossed the threshold of modernity, but also the photography itself.

2nd print run, linen bound HC with dust jacket, 26,5 x 24,5 x 1,5 cm., 120 pp., b/w ills., text language: German (the insert with three columns of text 'Berlin-Wedding' by Thomas Weski is bilingual: German / English)