Interieur

Out-of-print 'Projects Done' shows works by Candida HÖFER in unusual formats: Small-format of 'Zoological Gardens', 'The Citizens of Calais', 'On Kawara', or large images such as 'Türken in D.' and slides of '80 Pictures', shown with black on the pages.

The volume 'Liechtenstein' documents a group of 20 photographs by former BECHER-scholar Candida HÖFER taken in fall/winter 2021. The works reflect her exploration of places of cultural life and, in this case, the architecture of the Kunstmuseum in Vaduz.

HC mit Schutzumschlag, 30 x 38 x 4,5 cm., 320 S., color ills., in deutscher Sprache. GERMAN TEXT ONLY!

For years, former BECHER student Candida HÖFER traveled around the world to photograph public and semi-public libraries. The photographic volume 'Libraries. The Return' brings together an essence of past work and juxtaposes it with current images:

Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.

In the volume 'Raum und Bild' (Space and Image), a dialog between applied & artistic photography unfolds from the comparison of images by Candida HÖFER with interiors from the over 150-year-old photography collection at the Museum für Fotografie in Berlin

The out-of-print volume accompanying the 2013 exhibition at Museum Kunstpalast offers an overview of 70 works by Candida HÖFER, created exclusively in Düsseldorf over the course of 40 years. It represents the beginning but also shows the work around 2013.

All of the editions from the last four decades by photographer Candida HÖFER in one volume, 'Editions 1987-2020' form a representative cross-section of her entire visual oeuvre. The introductory essay was written by art historian Anne Ganteführer-Trier.

In 'Todd HIDO on Landscapes, Interiors & the Nude,' the photographer, whose focus is on images from a personal perspective and a sense of intimacy, shares insights into his practice, discussing themes such as creating powerful stories of emotional weight.

The photographic volume 'Berlin. Wilhelmstrasse 44' by Candida HÖFER deals with an icon of 'architecture brute', which was built in the middle of the 1970s in the former GDR and is now shared by the Embassy of the Czech Republic and a Max Planck Institute