Industrial topic

Softcover (ohne Schutzumschlag, wie erschienen), 23 x 29 x 1,5 cm., 128 S., reich bebildert, deutsch-sprachig - TEXT ONLY IN GERMAN!

'Gestaltete Welt' (Shaped World) accompanied the extensive retrospective on the occasion of the 100th birthday of Peter KEETMAN. It shows the life's work of the co-founder of the photographer group 'fotoform' and representative of 'Subjective Photography'

HC with dust jacket, 28 x 30 x 3 cm., 240 pp., b/w ills., English

The volume 'Fabrik' by Jakob TUGGENER conveys a critical view of the destructive potential of unchecked technological progress at a time when the arms industry was producing weapons for war. The uncompromisingly subjective photography underlines his view.

'Industrielandschaften' by Bernd & Hilla BECHER is a novelty: For the first time, your view of the whole opens up, including the settlement and residential buildings of the workers. The systems are presented in context and thus receive a narrative element

Eiji OHASHI's long-awaited photo book from his 'Roadside Lights' series of vending machines in winter landscapes. The volume published here as Leporello is a continuation of the highly acclaimed photo series of vending machines along the streets of Japan.

'Albert Renger-Patzsch. Industrial Photographs for SCHOTT' contains previously unpublished photographs, reproduced in high quality & original size, supplemented with contributions on the history of their origins and their importance in terms of technology

This First edition of photo volume 'Fabrikhallen' by Bernd & Hilla BECHER contains b/w photographs from the 1960s to 1990s. All factory halls were recorded in Germany, each recording is provided with the location and the date of the recording time.

Since 1957, Bernd & Hilla BECHER have compiled a wealth of examples of the industrial building type for 'Wassertürme' (Water Towers) photo book. Although they are functional buildings, the photographed specimens reveal an unprecedented variety of shapes.

The catalog 'Fortschritt als Versprechen' (Progress as promise. Industrial photography in divided Germany) places commissioned works in the context of their contemporary use for the first time. The focus is on the concepts linked in East and West Germany.