Blacknwhite

'Pittsburgh 1950' by Elliott ERWITT contains photographs taken in 1949/1950. The pictures, which capture the spirit of the city's architecture and people, were thought to be lost until the negatives were recovered at the Pittsburgh Photographic Library.

The book debut 'Olay' by Magnum photographer Emin ÖZMEN is a documentation of Turkey, on the edge of violence & grace. The retrospective of his work to date includes a detailed timeline, an introduction by Turkey correspondent Zalewski and personal texts.

The name of this photo volume by Bruce GILDEN, 'Hey Mister, throw me some beads!', comes from a phrase of the famous Mardi Gras of New Orleans. Between 1974 and 1982, the American photographer documented the spectacle in his typical street photographs.

With 'Zuhause', Einar SCHLEEF set a monument to his hometown Sangerhausen. The photos were taken in the mid-1970s at a deserted place, far away from the real existing socialism, captured by desolation and limited by bittersweet dreams of the stagnant time

The images in out-of-print debut book 'Another Language' by Mårten LANGE create a cryptic and heterogeneous index of nature with recurring forms, patterns & textures, whereby the clarity and simplicity of the images is juxtaposed with the enigmatic whole.

This out-of-print photographic volume, 'Blackout New York' by René BURRI, is a meditation on light and its absence, a reflection on seeing - and thus on photography itself. It tells the story of how people lose something they take for granted: light.

HC with dust jacket, 16,5 x 2,5 x 24 cm., 252 pp., b/w ills., text language: English

Re-edit, boxed set of prints, 18 x 13,5 x 5 cm., 242 pp., 119 b/w ills., text language: English, Ltd. to 1,000 copies

'Cette Montagne. C'est moi' is a 'real Revier 'book about a coal mining area that stretches from France to Belgium and Germany to Poland. Dutch photographer Witho WORMS documented the heaps, photobook designer Hans GREMMEN congenially staged the pictures.

Out-of-print 'Record / Kiroku #24' by Daido MORIYAMA features 'street snaps' mostly taken in southern France (Arles, Avignon, Marseille and Paris). He fondly recalls endless fields of sunflowers,the sparkling Mediterranean Sea and meeting with Sarah MOON