Belgian photographer

English ed., pb. (no dust jacket, as issued), 11 x 17 x 0,5 cm., 56 pp., color ills., text language. English

The out-of-print photo book 'Belgian Autumn' by Jan ROSSEEL is the personal search for the perpetrators of a series of violent and bloody raids on Belgian supermarkets in which his father died. However, the 'Gang of Nivelles' responsible was never caught.

'Wuhan Radiography' by Simon VANSTEENWINCKEL is an artistic result of the COVID-19 pandemic. Virtual wanderings through Wuhan, were photographed with an X-ray film from the computer screen to create a seemingly personally experienced image of that place.

The self-published artist's book 'Mono no aware' by Belgian photographer Anton KUSTERS is based on a thought rather than a story. This Japanese term describes the awareness of the passing moments of life. The book is designed as an object.

Out-of-print volume 'Stills' is a dialogue between Katrien de BLAUWER - who collects photos from old magazines and newspapers to create collages - and US sound artist Danny CLAY, who in turn works with open forms, found objects, as well as toy instruments

The photo volume 'Charleroi, il est clair que le gris est noir' by Stephan VANFLETEREN is not only a visual testimony of a city in decline, but also a personal record of impressions, reflections and thoughts while observing the black spirit of a gray city

The photo volume 'Flandrien' by Stephan VANFLETEREN gives an intimate and emotional portrait of those legendary cycling athletes, landscapes and Flemish culture. It contains more than one hundred b/w images personally selected by the Belgian photographer.

For his photo volume '101 Movies. A Survey of American Drive-in Theatres 1976', Herman VAN DEN BOOM documented the remains of Drive-In movie theatres in the US-states of Nevada, Texas, California, Oklahoma, Colorado and Arizona in black and white photos.

SC (no dust jacket, as issued), 19 x 24,5 x 2 cm., 352 pp., color ills., text language: English

The photo book 'Last Call' shows how Belgian Magnum photographer Harry GRUYAERT explored the creative potential of color photography in the 1970/80s - alongside Americans like LEITER, MEYEROWITZ, SHORE as well as EGGLESTON and as one of the few in Europe.