Artist

In his ongoing 'City Diary' project, Anders PETERSEN - awarded with the Dr.-Erich-Salomon-Award, DGPh - examines the less public side of urban life, in volumes #1 to #3, he photographed such different cities like Stockholm, Tokyo as well as St. Petersburg

'Allerseelen' by Alexander BINDER brings together a phantasmagoria of mystical images. He has seamlessly managed to blend crystal rainbows with even the most arcane and dark twilights and thus once again constructing a world of haunting beauty & mysticism

Pb. (no dust jacket, as issued), 24 x 30 x 1,5 cm., 128 pp., 80 color ills., bilingual texts: English / German

For 'I've Been Here Once Before', filmmaker David Teboul selected stills from a documentary about Boris MIKHAILOV, which fill books' middle section. Cleverly arranged, the single motifs create the impression of a cinematic sequence as you turn the pages.

This new edition of 'Once, Still and Forever' (original released in 2013) is limited to 1,000 signed copies. BACKHAUS proves her infallible instinct for picture compositions that open up a cosmos of unforeseen meanings in the midst of loving familiarity.

HC (no dust jacket, as issued), 21 x 30 cm., 48 pp., 20 b/w ills., text language: English

'Mauvais genre' presents views of men and women at the intersection of private life, the history of homosexuality, and feminist activism. Christine Bard and Isabelle Bonnet shed light on this often-silenced aspect through photos from Lifshitz collection.

HC (no dust jacket, as issued), 22,5 x 22,5 x 2 cm., 208 pp., 84 color ills., multilingual: German, English, Norwegian, Hebrew

Michael KENNA published 'The Rouge', a book on the Ford Rouge complex, back in 1995. The images on the same subject - the industrial complex built in Michigan in the early 20th century - published in 2016 are masterfully reproduced and superbly printed.

'Proof' by Tomasz GUDZOWATY is an attempt to utilize the aesthetics of chance hidden in the waste products of Polaroid Type 55 film. This was cult among those who used large format cameras because it produced positive instant prints as well as negatives.