African photographer

The illustrated book 'Photography Now: Fifty Pioneers Defining Photography for the Twenty-First Century' by Charlotte Jansen includes works by D'AGATA, CREWDSON, GOLDIN, McGINLEY, MEISELAS, PARR, RUFF, SHERMAN, SUGIMOTO, TELLER, TILLMANS, WALL and YOKOTA.

In his photo book 'A Little Louder', Algerian photographer Abdo SHANAN interrogates and documents in his own way, the 'Hirak', the peaceful protest movement that has shaken Algeria since February 22, 2019 and that continues with vigor despite the pandemic

'SIXSIXSIX' consists of 666 large-format Polaroid self-portraits, made in 2015 and 2016. Samuel FOSSO's challenge was to create 666 self-portraits each with a different bodily expression, reminding us of the link between his performances and photography.

In 'The Transported of Kwandebele' David GOLDBLATT documents journeys by workers as a metaphor for their arduous struggle toward freedom. In unsentimental or artifical images, the grim determination of the people to survive emerges in almost heroic terms.

The catalog 'Accra/London. A Retrospective' is dedicated to the body of work produced to date by Ghanaian photographer James BARNOR, tracing his photographic practice over six decades: both the work in his homeland and his work, from London in the 1960s.

AS SIGNED COPY!

In Guy TIILIM's 'Museum of the Revolution' his Street Photography in cities including Johannesburg, Nairobi among others shows a new reality: it differs from the economic stagnation caused by the socialist politics that accompanied African nationalism.

Out-of-print volume 'David Goldblatt. Photographs' is an anthology of the South African photographer's works, published on the occasion of the 2006 exhibition in Arles (with Martin Parr as curator). It takes the viewer from 1960s South Africa to the 2000s

Archival boxed set of 21 pb.s , 24 x 32 cm., 1,046 pp., 551 ills., text language: English. Ltd. to 1,000 copies

With the photo book 'La Cucaracha', the South African photographer Pieter HUGO has once again succeeded in creating an impressive social portrait in which he was more interested in the people of Mexico than in the country's architecture or economy.