90s

Published in newspaper format, '40 Jahre laif. 40 Positionen dokumentarischer Fotografie' is both an exhibit and a catalog of the exhibition of the same name, which celebrates the anniversary of the German photographers agency from Cologne.

'Tokyo on the Brink of Sanity' by Yoshio MIZOGUCHI shows the hustle & bustle of Tokyo from the late 70s to the 2010s, when the disappearance of the bubble began to permeate life in Tokyo. His street photography here moves between the erotic & the mundane.

In this out-of-print photographic volume 'Got to Go' by Rosalind Fox SOLOMON, images from the prominent photographer's early life contrast with those that reveal a view of the world that transcends the boundaries imposed by society and the parental home.

The catalog on Sergey BRATKOV, titled 'Glory Days', contains images from 1997 to 2007- an idiosyncratic mix of reportage & staged photography. It places his work in the context of recent photographic art and the social environment in Russia and in Ukraine

HC with dust jacket, 18 x 23 x 1,5 cm., 96 pp., 44 color full-paged ills., minimal bilingual text: English / Japanese.

'The Best Days' by Seung-Woo YANG is an early work, photographed between 1999 to 2006 during his studies in Tokyo. Driven by the suicide death of his comrade, he documented his life trajectory and people around him while he traveled between Japan & Korea.

'One Hour' by Robert FRANK is a reprint of a little-known publication. It is a transcription of a film that was shot in New York on July 26, 1990 between 3:45 and 4:45 pm. It deals with the strange experience of involuntarily eavesdropping on strangers.

The photo volume 'Mitch Epstein. Work' offers a look at major projects from the 1970s to the 2000s: 'Common Practice,' 'Vietnam,' 'The City,' 'Family Business,' and 'American Power.' He begins each chapter with an essay or excerpt from earlier writings.