80s

This out-of-print German language volume 'Photographien 1969-1989' spans the work by US-American Robert MAPPLETHORPE from the early 1970s and shows his most iconic images from portraits to still lifes and figure studies alongside lesser-known photographs.

After the discovery in 1979, the Serra Pelada awakened a longing for the legendary gold country 'El Dorado'. This book contains the complete portfolio in large format reproductions and museum quality, a foreword by Sebastião SALGADO and an essay by Riding

This anthology contains 160 pictures by ninety female photographers to answer the question of whether there is a 'female gaze' in photography. The focus is on the four major subject areas of social reality, family, female body and virtual reality.

'Fotografien 1980-2010' gives a perfect overview of the photographic work of Hans-Christian SCHINK, including his series around German unity and series created in Asia. The conflict between civilization and nature can be found in almost all his works.

This selection of 94 photographs in 'Tra l'altro. 1976-81', taken with 35mm cameras, stand for the transition from GUIDI's visual thinking and the progressive shift to color photography, which he began in the early 1980s with the large format 8x10 camera.

'Nachtfahrt. A Taxi Blues' by Josef ŠNOBL shows the happiness & misery of the cab business in poignant pictures, unbelievable events and observations. A unique insight into the phenomenon of the big city between drunks, celebrities and business travelers.

Handsewn pb., 21,5 x 28 cm., 44 pp., 25 b/w ills., text language: English, Ltd. to 1,000 COPIES

The b/w images by Sibylle BERGEMANN collected in her out-of-print photo book 'Fenster' do not follow any overarching plan, but are an expression of subjective perception. Each with its details captured window says something about the people they belong to

For 'I've Been Here Once Before', filmmaker David Teboul selected stills from a documentary about Boris MIKHAILOV, which fill books' middle section. Cleverly arranged, the single motifs create the impression of a cinematic sequence as you turn the pages.

'Mauvais genre' presents views of men and women at the intersection of private life, the history of homosexuality, and feminist activism. Christine Bard and Isabelle Bonnet shed light on this often-silenced aspect through photos from Lifshitz collection.