Schirmer / Mosel Verlag

Photo book 'Typologien industrieller Bauten'' by Bernd & Hilla BECHER was published in 2003 as a paperback edition. It is the bestseller among the BECHER titles. He contains individual images arranged in tableaus, supplemented by a text by Armin Zweite.

Photo and text volume 'Magnum Manifesto' is a richly illustrated story of an idea that has long since become a myth. The volume contains not only - but also - the famous pictures from the Magnum archive, an 'inexhaustible reservoir of memories'.

US-American photographer Irving PENN selected for this photo volume, 'Passage. A work record', those photographs that speak most strongly to his work spanning over half a century. It also includes photographs of the people of Benin commissioned by Vogue.

The out-of-print volume 'Aus der Werkstatt der Natur' brings together the most beautiful photographs by Karl BLOSSFELDT as well as an unpublished text by the master. It follows his traces in contemporary art e.g. in the comic fantasies by Benoît Peeters.

'Die Kennedys. Portrait of a Familie' von Richard AVEDON führt uns zurück in den Januar 1961. Er enthält für die Modemagazine Look und Harper's Bazaar gemachte Fotos der Familie John F. Kennedys, der kurz zuvor zum Präsidenten der USA gewählt worden war.

The out-of-print volume 'Frantisek Drtikol. Photograph des Art Deco' documents the work of the first important Czech photographer in a text consisting of four chapters by DRTIKOL expert Anna Fárova and 181 duotone illustrations; edited by Manfred Heiting.

'Karl Blossfeldt und das Auge Allahs. Warum wir nicht aufhören können, die Natur wie eine Schöpfung anzusehen' by Dutch writer Cees Nooteboom contains 26 of the most beautiful images by the photographer as well as a brilliant essay on plant photographs.

Out-of-print catalog for the major 'Bernd & Hilla Becher' retrospective at Metropolitan Musem with 3 essays and 108 plates to their life & work in a broad sweep. For the 1st time including their early works as well as an interview with the son Max Becher.