Black and White Photography

Out-of-print volume 'Los Angeles 1964' by Magnum photographer Bruce DAVIDSON contains previously unpublished photographs from Los Angeles. He had been sent there by a magazine, but the publication of the pictures had been rejected for undisclosed reasons.

'A Picturial History of the Empty Chair' by Erik KESSELS & Karel de Mulder deals with the subject of absence. Looking at an empty chair makes us wonder who could sit or who might be sitting there. Not knowing or seeing can make a photograph more exciting.

After projects drawing from archives, Arwed MESSMER turns for 'Clearing the Dephts' to his own archive, which contains many problematic aspects of German history. Previously unpublished images are re-edited and series are set in relation to each other.

English edition. The text and picture book 'Andy Warhol. EXHIBITS a glittering alternative' explores the exhibition strategies of the American artist Andy WARHOL. It presents probably the most famous icon of Pop Art as an installation artist and curator.

The peroid 1965-1975 was marked by turbulence & transformation, also in the work of Japanese photograpers like Taiji ARITA, Eikoh HOSOE, Daido MORIYAMA, Masatoshi NAITO, Hajime SAWATARI, Issei SUDA, Yoshihiro TATSUKI, Shuji TERAYAMA and Katsumi WATANABE.

Photo volume 'BABY SUMO', the new edition on the occasion of Helmut NEWTON's 100th birthday. With more than 400 pictures, a booklet that documents the history of its creation and a specially designed book stand by French designer Philippe Starck.

Pb. (no dust jacket, as issued), 19 x 23 x 1 cm., 60 pp., b/w ils., text language: English, Ltd. to 500 copies

HC with dust jacket, 21 x 23 x 2 cm., 207 pp., 96 b/w ills., text language: English

The out-of-print photographic volume 'Japan' by prominent British photographer Michael KENNA is the result of intensive travels to Japan. Printed in Triton, the volume has a red cloth cover and is also surrounded by a Japanese folding slipcase.

Second edition. The photo book 'Eternal London' by Giacomo BRUNELLI contains black and white photographs of London at night, in which the Italian photographer seems to follow passers-by at every turn to pass the sights of the city to document them.