Social landscape

This self published photo book, 'Human' by Gábor KUDÁSZ, shows brick-making workers, photographed between 2014-2016 in Eastern Europe. But the workers, depicted as in a socialist picture book, behave in an unusual way. They begin to alienate their product

Pb. (no dust jacket, as issued) in plastic folder, 22 x 27 x 1,5 cm., color ils., multilingual: Japanese, English, German and Kurdish

HC (no dust jacket, as issued), 24 x 30 x 2 cm., 124 pp., 61 color ills., text language: English

The b/w images in the out-of-print book 'Frenchkiss' by Anders PETERSEN, taken in 2005 in France - Paris, Gap as well as in St. Etienne -, show people in intimate situations. Together with the nature shots, a poetic-melancholic mixture has been created.

The volume 'Hierzulande' gathers photo reportages by Robert LEBECK from 1955 to 1983. Some pictures are part of the cultural memory, others have rarely or never been published. His reports are legendary and make him an indispensable chronicler of our time

The black-and-white images in the self-published photo book 'Dit Skogen Aldrig Nar / Where the Forest never reaches' by Norwegian photographer Tore SANDAHL are mainly from the rural region of China and were taken between 2002 and 2016.

'I am Warning You' by Rafal MILACH is a triptych dedicated to three different border walls: the American-Mexican, Hungarian-Serbian-Croatian and the Berlin Wall. The books present an architectural overview of propaganda, control and borderline experiences

In her debut 'Sworm Virgins', Pepa HRISTOVA deals with the last man-women of Europe. These so-called sworm virgins are respected, acquire the status of men and they fill their role so perfectly that they are hardly recognizable as women outside the family

In 'American Power', Mitch EPSTEIN examines the concept of power. In the accompanying essay, he talks about how making these photographs led him to think more deeply about the role of the artist in a country teetering between collapse and transformation.

This series in 'Waiting Game' was taken along the Spanish Mediterranean coast. To achieve his goal, Txema SALVANS approached disguised as a surveyor - the only way to carry out this halfway project between sociological dissection & naturalistic narrative.