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"Photo book 'Mother and Father', is a moving journal of the final years of a sixty-year marriage.
For ten years, from 1997 to 2007 Paddy SUMMERFIELD photographed his parents, reflecting on the bond between them, which even the effects of Alzheimers could not break. They become symbols in a drama of balance and tension, which is both domestic and epic. 'I recorded my mother’s loss of the world, my father’s loss of his wife and, eventually, my loss of them both.' (© Paddy SUMMERFIELD)
The images are primarily taken in their garden, though the central section shows holiday visits to the Welsh coast, where the raven, a Celtic symbol of death, frequently appears alongside their world. Finally, the once cultivated garden becomes a neglected wilderness, in the absence of the two people who spent long days there, who cared for it, and for each other. These thoughtful, often melancholy, images form a personal piece which is simultaneously universal." (publisher's note, © Dewi Lewis, 2014)
About the photographer, Paddy SUMMERFIELD:
Oxford-based, Paddy Summerfield, trained at Guildford School of Art in the Photography and the Film departments.
Photographs he took in 1967, when still a first year student, were published in Album, and spreads in Creative Camera received encouraging recognition.
SUMMERFIELD first exhibited in London in the late 1960s, and has shown at many galleries, including the ICA, The Barbican, The Serpentine Gallery, and The Photographers’ Gallery.
In 1976, Sir Nicholas Serota (then director of MOMA, Oxford) invited SUMMERFIELD to exhibit Beneath The Dreaming Spires, his first one-man show. His work is held in the collections of the Arts Council and of the V&A, as well as in numerous private collections.
Book Reviews:
'A profoundly sad and beautiful book' (© Sean O'Hagan, in: 'The Observer: Photography Book of the Month, Nov. 2014')
“Love, friendship, loss” (© Corinna Koch)
“These are among the most deeply moving pictures I have seen.” (© Gerry Badger)
"Photo book 'Mother and Father', is a moving journal of the final years of a sixty-year marriage.
For ten years, from 1997 to 2007 Paddy SUMMERFIELD photographed his parents, reflecting on the bond between them, which even the effects of Alzheimers could not break. They become symbols in a drama of balance and tension, which is both domestic and epic. 'I recorded my mother’s loss of the world, my father’s loss of his wife and, eventually, my loss of them both.' (© Paddy SUMMERFIELD)
The images are primarily taken in their garden, though the central section shows holiday visits to the Welsh coast, where the raven, a Celtic symbol of death, frequently appears alongside their world. Finally, the once cultivated garden becomes a neglected wilderness, in the absence of the two people who spent long days there, who cared for it, and for each other. These thoughtful, often melancholy, images form a personal piece which is simultaneously universal." (publisher's note, © Dewi Lewis, 2014)
About the photographer, Paddy SUMMERFIELD:
Oxford-based, Paddy Summerfield, trained at Guildford School of Art in the Photography and the Film departments.
Photographs he took in 1967, when still a first year student, were published in Album, and spreads in Creative Camera received encouraging recognition.
SUMMERFIELD first exhibited in London in the late 1960s, and has shown at many galleries, including the ICA, The Barbican, The Serpentine Gallery, and The Photographers’ Gallery.
In 1976, Sir Nicholas Serota (then director of MOMA, Oxford) invited SUMMERFIELD to exhibit Beneath The Dreaming Spires, his first one-man show. His work is held in the collections of the Arts Council and of the V&A, as well as in numerous private collections.
Book Reviews:
'A profoundly sad and beautiful book' (© Sean O'Hagan, in: 'The Observer: Photography Book of the Month, Nov. 2014')
“Love, friendship, loss” (© Corinna Koch)
“These are among the most deeply moving pictures I have seen.” (© Gerry Badger)
- Ed(s)/Author(s)
- Gerry Badger
- Format
- Linen bound HC (no dust jacket, as issued), 24,5 x 20,5 cm., 96 pp., 83 b/w ills., text language:: English