Prominent Photographer

This long out-of-print monograph by Andreas GURSKY includes the artist's best-known works as well as new works unpublished until 2018. Essays provide new insights into key images - an indispensable survey of one of the world's most influential artists.

'In My Room' contains nude studies in black and white that Saul LEITER made indoors in his studio in New York, often illuminated by the lush natural light. In the 1970s he planned to turn them into a book, which was never realized during his lifetime.

'Provoke. Between Protest and Performance ', accompanied the first exhibition as a catalog, which was shown through the magazine and the photographers involved - Daido MORIYAMA, Takuma NAKAHIRA, Yutaka TAKANASHI - and determines its historical relevance.

The out-of-print book 'Franz Gertsch 'The Seventies' shows the large-format key works by Swiss artist. His participation in the legendary 1972 documenta brought him international breakthrough. The photorealism paintings here date from this creative period

Cloth bound HC (no dust jacket, as issued), 26 x 20,5 x 1,5 cm., 52 pp., 29 color ills., text language: English

by Colin Westerbeck (ed.). HC with dust jacket, 29 x 29 x 2 cm., 120 pp., 100 b/w & color ills., text language: English

Slipcased HC, 30,5 x 38 x 2 cm. (12 x 15 in.), 48 pp., 40 duotone b/w ills., text language: English, Ltd. to 350 numbered copies

'ABC', selected and designed by William KLEIN himself, offers a visual survey of his varied career. It includes his poetic street photography of New York, Moscow, Rome, Tokyo and Paris; his fashion photography; filmstills; and his painted contact sheets.

In this out-of-print photo book 'Lines, Marks, and Drawings. Lines, Marks and Drawings. Through the Lens of Roger Ballen', this volume examines his work from a new perspective, from distinctive portraits and complex photographic tableaux to YouTube films.

German-language anniversary edition of the classic photo book. Walker EVANS put together 'American Photographs' himself. It became a sober, yet highly aesthetic description of the United States in the 1930s that influenced generations of photographers.