SONDERGAARD, Trine

About the Danish photographer, Trine SONDERGAARD

Trine SONDERGAARD (b.1972), is a Danish visual artist and contemporary photographer who studied drawing & painting in Aalborg and Copenhagen from 1992 to 1994 and attended the photography school Fatamorgana in Copenhagen, Denmark.
In 2000 the artist received the Albert Renger Patzsch Award and has since received numerous grants and fellowships, including a three-year working grant from The Danish Arts Foundation. She currently resides in Copenhagen.

Photo books by Trine SONDERGAARD

'Strude' (2010); 'TreeZone' (with Nicolai HOWALT, 2009); 'Monochrome Portraits' (2009); 'How to Hunt' (with Nicolai HOWALT, 2010); 'Now That You Are Mine' (2002)

SONDERGAARD, Trine - Strude
SONDERGAARD, Trine - Strude
These portraits of women in traditional costumes, created between 2007 and 2010, gives reason to think about changing symbols and identities. Because the historical legacy appears strange and staged, this series becomes a mirror of our own perception.
148,00 €
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SONDERGAARD, Trine & Nicolai HOWALT - How to Hunt
SONDERGAARD, Trine & Nicolai HOWALT - How to Hunt
The large-format photo book explores the relationship between animals, humans and nature through a contemporary interpretation of the millennial hunting genre. The series examines a classic topic in the border area between documentary photography and art.
178,00 €
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SONDERGAARD, Trine - Now That You are Mine
SONDERGAARD, Trine - Now That You are Mine
These photographs of prostitutes on near the Copenhagen train station depict the conditions under which these women on the fringes of society pursue their life. The book examines the situation of these women in general, about their struggles and passions.
198,00 €
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SONDERGAARD, Trine - Strude II
SONDERGAARD, Trine - Strude II
Special ed., HC - handbound book with a analog print, 16 x 23 cm., 103 pp. - Special Ed., Ltd to 20 numbered copies!
0,00 € *
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SONDERGAARD, Trine - Stasis
SONDERGAARD, Trine - Stasis
Exploring stillness & introspection: images of contemporary women wearing historical dresses, modern girls wearing 18th century bonnets, and interiors of uninhabited manor houses create an universe, which is neither past nor present, fact nor fiction.
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