Leica

'Die Amerikaner' is the German edition of this work that looked at the Americans from a new perspective and which revolutionized the aesthetics of the photo book. It was first published in 2008, on the occasion of the anniversary of the French original.

The book 'Magic Eye' offers an overview of the work of René GROEBLI. We discover his fascination for movement and speed. And we encounter the rich hues of his unique, innovative color photography, through which even commissioned works become timeless art.

Robert CAPA is considered to be the founder of photojournalism. His impressive photos of the Spanish Civil War made the passionate opponent of war world over night famous. In addition to most famous works, this portfolio also presents rediscovered images.

'JFK. A photographic memoir by Lee FRIEDLANDER is the first to show archive photos of the public reaction to the election and assassination of President John F. Kennedy. A moment in US history that enchanted the nation and continues to impress today.

The US report in out-of-print book 'Heartland' by Thomas HOEPKER is a prime example of committed photojournalism personally interpreted, of photography as reportage at the highest level of formal aestheticism. Photo history and at the same time up to date

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 264 S. mit 25 ganz- bzw. doppelseitigen S/W-Abb., Bibliographie, Indices, deutsch-sprachiger Text - GERMAN TEXT ONLY!

For his volume 'Wall and Peace', Kai WIEDENHÖFER has documented walls and barrier fences all over the world: in Berlin, Belfast, Mexico, Ceuta & Melilla, in Baghdad and the wall on the border line with the West Bank, with the Gaza Strip, Lebanon, Egypt.

3 carnets (24 x 33 cm.) with 33 b/w ills.,

'Du mich auch' by Anders PETERSEN contains images, taken in Hamburg & Stockholm in the 60s - surrounded by bar girls, petty thieves, dock workers, Bob Dylan copies, street vendors from the fish market, legless war heroes, they lived & worked on St.Pauli.

'In My Room' contains nude studies in black and white that Saul LEITER made indoors in his studio in New York, often illuminated by the lush natural light. In the 1970s he planned to turn them into a book, which was never realized during his lifetime.