Europe

Cafe Lehmitz Photobook Libraries shall enable collectors as well as institutions to acquire out-of-print titles at a price that can be paid. This library, the Paul GRAHAM Photobook Library, contains currently 19 photo volumes - mainly signed copies.

The 'Dirk-ALVERMANN-Photobook-Library' currently contains one copy each of nine publications, which are already out of print at their publishers. Some of the books are SIGNED, like 'Keine Experimente' (1961), 'Zwischen den Zeiten' (2006) & 'dacapo' (2008)

'Cette Montagne. C'est moi' is a 'real Revier 'book about a coal mining area that stretches from France to Belgium and Germany to Poland. Dutch photographer Witho WORMS documented the heaps, photobook designer Hans GREMMEN congenially staged the pictures.

Vorzugsausgabe mit sign. & num. Originalabzug (Aufl. 20 +2 hc) in gewebebezogener Grafikmappe. Buch: HC, 32,5 x 28,5 cm., 120 pp., 112 ills.(43 in color), German & English

This 13-volumes collection on the work of Swiss photographer Jakob TUGGENER, 'Books and Films' contains facsimile editions of the first twelve original book dummies from the years 1936 to 1982 as well as a selection of his 16 mm short films on DVD.

Out-of-print English reissue of 'The Decisive Moment' by Henri CARTIER-BRESSON as meticulous facsimile of the original. It comes with an additional booklet containing an essay on the history of the famous volume by Centre Pompidou curator Clément Chéroux.

Linen bound HC (no dust jacket, as issued), 31 x 31 x 4 cm., 312 pp., 200 b/w ills., 2,900 gr., Dutch

SIGNED COPY. In his 2nd photo volume 'Keine Experimente', Dirk ALVERMANN takes a critical and mocking stance on the period of the economic miracle as well as the Nazi past. The b/w photographs were taken between 1956 and 1961 in Berlin and the Rhineland.

Gebunden, mit Schutzumschlag, 24,5 x 28 x 4 cm., 352 S., mehr als 460 Abb., deutsch-sprachig - GERMAN TEXT ONLY!

In 'Go-Sees. Girls Knocking on My Door', Juergen TELLER questions fashion industry and the world of models. Shot in the different lights of the changing seasons, but always at the entrance to his studio, the portraits seem to merge into a single image.