Social landscape

In 'Ukrainian Night', Miron ZOWNIR documents drug addicts from Poltava, homeless people at Kiev Central Station, street children in Odessa & Chernivtsi, revealing the profound fault lines in Ukrainian society that were already heralding the revolution.

Cloth bound HC (no dust jacket, as issued), 24 x 30 x 2,5 cm., 216 pp., 156 b/w ills., text language: English

'Istanbul' by Miron ZOWNIR contains b/w pictures taken before and during the coronavirus pandemic. It shows how diverse the realities of life in Turkey's capital are and depicts a social reality that also includes ever-increasing poverty & social taboos.

In out-of-print 'Down and Out in Moscow', Miron ZOWNIR documents the (over)life of homeless and desperate people in sometimes unbearable images. He thus illustrates the decline of the former USSR; an unsparing look at street life in the Russian capital.

Linen bound HC (no dust jacket, as issued), 30,5 x 24,5 x 2 cm., 232 pp., 208 tritone ills., bilingual text: German / English

In the photographic volume 'The Sad-Eyed Lady', photographer Harf ZIMMERMANN documents the Berliner Luft- und Badeparadies ('Blub' for short), a once popular swimming and leisure center in the Berlin district of Britz, which is now a graffiti-covered ruin

Out-of-print 'Hufelandstrasse. 1055 Berlin' by Harf ZIMMERMANN presents b/w images of people & buildings on this street, as well as intimate color photographs of families in their homes. A historical document of a journey through time devoid of nostalgia.

Hc (no dust jacket, as issued), 21,5 x 30,5 x 2 cm., 104 pp., 54 b/w & 30 color ills., text language: English

HC (no dust jacket, as issued), 24 x 30,5 x 2 cm., 104 pp., 53 b/w & 29 color ills., text language: English

In out-of-print volume 'Trona. Armpit of America' by Tobias ZIELONY, self-staging of the protagonists plays an important role. Through the intensive contact between him and them, relationships develop that make the subjects less shy in front of the camera

The volume 'Vele' by Tobias ZIELONY is based on his animation film about the building complex 'Le Vele di Scampia', a symbol of the Camorra’s power in the Naples region and a key centre of European drug trafficking with an selection of 287 single images.

The out-of-print photographic volume 'Story/No Story' by Tobias ZIELONY provides an overview of his work since 2000, which has mainly been taken in social hotspots in Bristol, Halle-Neustadt, Marseille, South Los Angelesas well as in Winnipeg, Canada.

'Jenny, Jenny' is not documentary: ZIELONY avoids the journalistic impetus for certainty & truth. To him, the authenticity of the subject is as relevant as the question of the objectivity of the documentary image: both are never free of dramatic elements.

SC, 15 x 21 cm., color ills. + signed picture, Ltd. to 250 copies

HC (without dust jacket, as issued), 22 x 28,5 cm., 192 pp. +16 fold outs, 118 color ills., Chinese/English, Lt.d to 600 numbered copies

HC (no dust jacket, as issued), 30 x 34 x 2 cm., 92 pp., color ills., text language: English

Cloth bound HC (no dust jacket, as issued), 23 x 30 cm., 168 pp., bilingual texts: German / English