Usa

In out-of-print volume 'Trona. Armpit of America' by Tobias ZIELONY, self-staging of the protagonists plays an important role. Through the intensive contact between him and them, relationships develop that make the subjects less shy in front of the camera

In 'The Bridge' Michael YUAN portrays the Golden Gate Bridge. A study of its form, lines, shapes & distinctive color: imposing towers, stylised street lamps, gigantic cables, bolts, plates with their own distinctive geometry & shape, colour, sound & light

In out-of-print 'East Broadway Breakdown', the photos taken in 1994/95 in downtown New York remain like paintings in the limbo between abstraction and concrete representation. In this way, Christopher WOOL conveys an alternative idea of what a picture is.

Out-of-print 'State' by Paolo WOODS takes an investigative look at Haiti describing a dynamic that is at work in all developing countries: international organizations vs. local government, civil society vs. executive power, private money vs. public money.

The out-of-print photo volume, 'Francesca Woodman: Portrait of a Reputation', explores how the young artist found her creativity and unique approach to photography. The works range from studio portraits to self-portraits in the idyllic Colorado landscape.

English-language overview of Vanessa WINSHIP's work with all of her many celebrated photo series. Also included are specially commissioned essays and a selection of texts by the photographer that complement each series in the style of a diary.

'She dances on Jackson' by Vanessa WINSHIP is the result of travelings across the United States - from California to Virginia, from New Mexico to Montana - always in search of the 'American Dream'. It contains her typical portraits & landscape photographs

This beautifully designed catalog volume, 'And Time Folds', accompanied the great retrospective of the British photographer Vanessa WINSHIP and includes all of her important series as well as heretofore unpublished current works.

The photographs by D'Angelo WILLIAMS in his volume 'Contact High' visualize the black body in theatrical, dance, and occasionally everyday scenes. The intimate images focus on notions of kinship and spirituality interwoven with quiet political gestures.