German photographer

Inspired by the origins of the European museum, the art and wonder chambers of the Renaissance, artist Bettina von ZWEHL shows in her overall presentation 'Wunderkammer' a cross section of her photographic reflections on institutionalized representation.

In the photographic volume 'The Sad-Eyed Lady', photographer Harf ZIMMERMANN documents the Berliner Luft- und Badeparadies ('Blub' for short), a once popular swimming and leisure center in the Berlin district of Britz, which is now a graffiti-covered ruin

Out-of-print 'Hufelandstrasse. 1055 Berlin' by Harf ZIMMERMANN presents b/w images of people & buildings on this street, as well as intimate color photographs of families in their homes. A historical document of a journey through time devoid of nostalgia.

The photo book 'Brandmauern' (firewalls) by Harf ZIMMERMANN contains traces of the bombings of the Second World War, with bullet holes, bomb splinters and outlines of past buildings, whether densely overgrown, bare or covered with graffiti and advertising

The out-of-print double volume 'Talents 06' contains the photo series 'The Cast' by Tobias ZIELONY as well as the text contribution 'I love America. On the adaptation of reality in the photographs of Tobias Zielony' by Jutta von Zitzewitz.

In out-of-print volume 'Trona. Armpit of America' by Tobias ZIELONY, self-staging of the protagonists plays an important role. Through the intensive contact between him and them, relationships develop that make the subjects less shy in front of the camera

'Wolfen' by Tobias ZIELONY combines several levels: images from Wolfen-Bitterfeld; their storage in archive film format and a text that oscillates between essay & science fiction. Darkness is thematized here on a biographical, physical & historical level.

The volume 'Vele' by Tobias ZIELONY is based on his animation film about the building complex 'Le Vele di Scampia', a symbol of the Camorra’s power in the Naples region and a key centre of European drug trafficking with an selection of 287 single images.

The six-volume publication 'The Fall' accompanied the retrospective on Tobias ZIELONY. Each volume show two to four works in their entirety and are accompanied by a text that provides a counterpoint to these works in the form of an essay or a narrative.

The six-volume publication 'The Fall' accompanied the retrospective on Tobias ZIELONY. Each volume show two to four works in their entirety and are accompanied by a text that provides a counterpoint to these works in the form of an essay or a narrative.

The out-of-print photographic volume 'Story/No Story' by Tobias ZIELONY provides an overview of his work since 2000, which has mainly been taken in social hotspots in Bristol, Halle-Neustadt, Marseille, South Los Angelesas well as in Winnipeg, Canada.

In the out-of-print volume 'Maskiovka', German photographer Tobias ZIELONY documents the gay techno scene in Kiev, Ukraine. Maskirovka' alludes to a Russian method of deceptive warfare.

This volume contains works by German photographer Tobias ZIELONY, winner of the Marion Ermer Prize 2004. The images were made between 1999 and 2003 in Bristol/Newport, Halle & Marseille and already published in his photographi volume 'Behind the Block'.

In 'Manitoba', Tobias ZIELONY documents the lives of young indigenous gang members in Winnipeg. In the tradition of classic photojournalism, he makes use of various genres: portraits of gang members, architectural shots and views of the urban landscape.

'Jenny, Jenny' is not documentary: ZIELONY avoids the journalistic impetus for certainty & truth. To him, the authenticity of the subject is as relevant as the question of the objectivity of the documentary image: both are never free of dramatic elements.

For his out-of-print book 'Behind the Block', Tobias ZIELONY visited the peripheries of modern cities such as Halle, Marseille & Bristol to explore the youth culture there in 'subcultural melting pots' and special zones of urban civilization at eye level.

Gebundene Ausgabe (zweite Auflage) mit Schutzumschlag, etwa 20 x 25 x 1,5 cm., 92 S., 49 S/W-Abb., 850 gr., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Cloth bound HC (no dust jacket, as issued), 23 x 30 cm., 168 pp., bilingual texts: German / English

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 24 x 24 x 2 cm., 88 S., Farbaufnahemn, deutsch-sprachiger Text - GERMAN TEXT ONLY!

HC, 29 x 19,5 cm., 111 pp.

In his monograph on Ulrich WÜST, 'The Presence of Something Past,' Gary Van Zante contextualizes the work to American & German urban and landscape photography. With over 200 images, including for the first time some of his leporellos from the title series

The out-of-print volume, 'Später Sommer. Letzter Herbst', follows in sequence & format the handmade leporello 'Später Sommer/Letzter Herbst' by Ulrich WÜST, transforming it into a book and brings together series as well as some individual images from 1989

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 17 x 23 x 2 cm., 147 S., S/W-Aufn., deutsch-sprachiger Text - GERMAN TEXT ONLY!

HC ohne Schutzumschlag (wie erschienen), 17 x 24 cm., 148 S., 115 Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Unlike in his thematic stories, out-of-print book 'Jahrebuch' by Ulrich WÜST reveals something very personal & private. Here, the world seems to be surrounded by a melancholy veil that does not conceal anything, but rather reveals the precision of vision.

HC (no dust jacket, as issued), 23,5 x 17,5 x 1 cm., 135 pp., color ills.,

SC (custom made sew binding), 23,5 x 30 cm., 84 pp., color ills., text language: English, Ltd. to 500 copies

Softcover, square catalog volume, published on the occasion of the exhibition 'Wols Photograph 31/1-11/3 1979' at Museum Ludwig, Cologne. The German-language catalog text is by Lazlo Glozer.

The photo book 'Dr. Paul Wolff & Alfred Tritschler. Printed Images' shows how 35mm Leica photography changed society and consumers in the Weimar Republic period and the 'Third Reich', and the leading role played by the two photographers in this process.

Andreas HORLITZ, Wolfgang SCHULZ, Miron ZOWNIR - Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 22 x 28 x 2 cm., 240 S., 130 S/W-Abb. & 19 Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

The multi-layered photographs in 'Metropolis. Berlin' by Barbara WOLFF take the viewer on an emotional journey through the city. 'Metropolis' is about the change of the city of Berlin, about provocation and chaos, about secrets, but also about visions.

1st print run, HC (no dust jacket, as issued), 25 x 30 x 3,5 cm., 296 pp., over 400 color and b/w ills., text language: English

Linen bound HC (no dust jacket, as issued), 20 x 25 x 2 cm., 120 pp., 89 color ills., text language: English

Re-edit, HC (no dust jacket, as issued), 21 x 25 cm., 112 pp., col. ills, text language: English

Re-edit, HC (no dust jacket, as issued), 21 x 25 x 2 cm., 112 pp., color ills., text language: English

HC (no dust jacket, as issued), 21 x 25 x 2 cm., 112 pp., color ills., text language: English

2nd print run, HC with dust jacket, 28 x 35 x 2 cm., 112 pp., color ills., text language: English

HC (no dust jacket, as issued), 15,5 x 21 x 1 cm., 80 pp., 64 color ills., no text, details in English, Ltd. to 500 copies

HC (no dust jacket, as issued), 19 x 28 cm., 124 pp., color ills., text language: text language: English

HC (no dust jacket, as issued), 25 x 32 x 2 cm., 112 pp., 53 color ills., text language: English

Linen bound HC (no dust jacket, as issued), 29 x 24 x 1,5 cm., 76 pp., color & b/w ills, bilingual texts: French / English

HC, 27 x 36,5 cm., 120 pp., 71 color ills., text language: English

Out-of-print 'Hong Kong Umbrella' by Michael WOLF shows umbrellas in the Back Alleys. The cover also refers to the yellow umbrella as a symbol of protest against Chinese appropriation; images of the 'Umbrella Revolution' by Lam Yik FEI can also be seen.

Cloth bound HC (no dust jacket, as issued), 15,5 x 21 x 2 cm., 152 pp., color ills., text language: English, Ltd. to 500 copies

The book 'Hong Kong Storage' by Michael WOLF is the 9th book of his Hong Kong books. Hong Kong back alleys were his laboratory for exploring behavior, creativity & inventiveness of the city's inhabitants, visible in the variety of improvised arrangements.

Out-of-print volume 'Hong Kong Rubber Boots and Shoes' by Michael WOLF contains images of everyday from 'his' laboratory for exploring the behaviors, creativity and inventiveness of the city's inhabitants, reflected in the variety of random arrangements.

The photo volume 'Hong Kong Lost Laundry' by Michael WOLF shows laundry carried away by the wind, which lands on cables, roofs and billboards and has thus become wondrous sculptures of everyday life. The final volume of the series 'Informal Solutions'.

Two slipcased HC, 31 x 24 x 4 cm., 352 pp., color ills., text language: English

HC (no dust jacket, as issued), 15,5 x 21 x 1 cm., 80 pp., color ills., bilingual text: English / Chinese, Ltd. to 400 copies

In 'Hong Kong Flora', Michael WOLF turns his attention to plants and flowers in the urban jungle of the Asian metropolis. Each leaf, each branch, each flower a visible sign of the power of nature and people´s single-mindedness, to customize their habitat.