Berlin

HC, 15 x 20 cm., 128 pp., 100 ills., bilingual text: German / ENglish

Out-of-print volume 'Berlin 1978-1987' by Boris BECKER shows early works of the photographer of the Düsseldorf Photo School, taken on 35mm and medium format. In the course of history and the change of our perception, these have gained in importance.

Out-of-print artist's book, 'Lange Weile' by Tina BARA, contains b/w-mages taken between 1983 and 1989 in East Berlin, the old GDR and other travels. This visual diary captures a moment right before the collapse of an entire political & ideological system

HC (no dust jacket, as issued), 24,5 x 21,5 cm., 84 pp., 54 tritone ills., German / English

In out-of-print photo book 'Die Deutschen', René BURRI mainly depicts everyday life in Germany, where the bullet holes from the war can still be seen on the wall of the building. Hepursued his project for many decades. In 1986 and 1999, it was republished

Linen bound HC (no dust jacket, as issued), 30,5 x 24,5 x 2 cm., 232 pp., 208 tritone ills., bilingual text: German / English

The narrow band 'summer days. Peace Days' contains a selection from films that Robert CAPA exposed on his last visits to Berlin in the summer of 1945. New prints made from the original negatives in 1986 were used as a model for reproduction.

HC (no dust jacket, as issued), 22 x 29 x 2 cm., 102 pp., 39 b/w ills., text language: English

The large-format photographs in the photo volume 'Ortszeit / Local Time. Fotografien 1990-2004' by Stefan KOPPELKAMM allow a detailed reading of all the traces of time: the dramatic social and economic changes after German reunification become visible.

HC, 22,5 x 27 cm., 160 pp.

HC (no dust jacket, as issued), 23 x 30 x 6 cm., o.pp., b/w ills., Ltd. to self made 200 copies

The out-of-print photo volume on Helga PARIS documents the melancholy vitality of East Berlin corner pubs and the poetic tristesse of Berlin streets in the 1970s. Here, we travel to Georgia & Transylvania and wander through the industrial city of Halle.

The book 'Berlin Kreuzberg' contains some early works by photographer and former police officer Michael SCHMIDT. The black and white photos taken in the Berlin district in the mid-1970s show the urban environment subjectively but without any artistic airs

By chance, Mark POWER was present at the fall of the Berlin Wall in 1989. To mark the 25th anniversary, he self-published his photo volume 'Die Mauer ist Weg!' (The wall is away) which corresponds to a newspaper that he bought in Berlin the morning after.

High-contrast chiaroscuro of b/w images by Robert HÄUSSER in out-of-print book 'Die Berliner Mauer' shows the structure as an expression of the brutality of the GDR regime and its contempt for humanity, conveying a feeling of homelessness & imprisonment.

Clouth bound HC (no dust jacket, as issued), 31 x 25 x 2 cm., 120 pp., 59 color ills., text language: English

In his self published photo book, 'Berlin', Berlin-born photographer Andreas GEHRKE shows the well-documented German capital that many of us think we know in an extremely intimate way, as well as those radical upheavals that have so uniquely shaped Berlin

Out-of-print 'Hufelandstrasse. 1055 Berlin' by Harf ZIMMERMANN presents b/w images of people & buildings on this street, as well as intimate color photographs of families in their homes. A historical document of a journey through time devoid of nostalgia.

The photographs in 'Berlin Wonderland' makes clear how much the city has changed. It revives this unique time of awakening, resistance & reorganization. In interviews & quotes, protagonists of that time bring the subculture of Berlin's Mitte back to life.

HC (no dust jacket, as issued), 21,5 x 30 x 3,5 cm., 749 pp., b/w ills., bilingual texts: German / English

HC with foil stamping (no dust jacket, as issued), 23 x 29 cm., 104 pp., 84 duotone b/w ills., bilingual texts: German / English

Gebundene Ausgabe mit Schutzumschlag, 30 x 30 x 2,5 cm., 140 S., 66 Farb-Abb., deutsch-sprachiger Text - TEXT ONLY IN GERMAN!

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 20 x 26,5 x 2 cm., 120 S., 67 Farb-Abb., deutsch-sprachiger Text - TEXT ONLY IN GERMAN!

This out-of-print photographic volumek 'Urban Secrets' by prominent German skate photographer Helge TSCHARN contains a compilation of his skateboarding photos against the backdrop of urban architecture in Europe.

This catalog examined & showed Michael SCHMIDT's self-portraits for the first time. In addition, 'Landschaft - Waffenruhe - Selbst - Menschenbilder' (Landscape - Truce - Self - Images of People) deals with well-known and other less frequently shown series

This photo book, 'Irgendwo', with black and white photographs is the result of a series of trips that Michael SCHMIDT undertook together with his wife in a caravan after the fall of the Wall in order to wrest a valid face from the German provinces.

Pb (no dust jacket, as issued), 26 x 34,5 cm., 174 pp., b/w ills., Ltd. to 15 copies

The collection for the book 'Personal Best' was selected by Elliott ERWITT himself. Anyone who browses through the carefully edited retrospective will be filled with a nostalgic mood, a sense of wonder - and an enduring feeling for the richness of life.

'Brandenburg' by Andreas GEHRKE is a thoughtful portrait of that binding land surrounding the capital Berlin. In a consistent departure from the purely documentary, his images never refer to history, but form subtle allusions to structural, social changes

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 21 x 27 cm., 200 S., 170 S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

SC, 56 pp.,

Using a piece of lost landscape in the heart of Berlin, Andreas GEHRKE explores in 'Topography' whether places can preserve memories. This area, regularly visited & photographed over the course of a year, is only what it is, and yet it transports history.

'Summer 1945' contains 50 black and white photographs of Robert CAPA, who returned after the liberation of Europe from National Socialism in US-american uniform to Berlin. He documented his view of the destroyed city, allied soldiers & the Berliners.

'Aus der Ferne: Bilder der DDR' (From far away. Images of the GDR) is about dealing with the visual heritage, about hidden bodies of knowledge & multiple meanings, as well as the specific contexts in which the photos were taken, and how to deal with them.

Pb. (no dust jacket, as issued), 16 x 22 x 1,5 cm., 160 pp., 117 ills., Ltd. to 100 numbered copies

In this photo book 'Berlin nach 45', the photographer Michael SCHMIDT concentrated on open spaces, wasteland & provisional architectural arrangements and in this way created an impressive visual record of the changes in his hometown in the post-war period

The b/w images by Michael SCHMIDT taken near the Berlin Wall in out-of-print volume '89/89' look like photos of excavations. As in his other books, he refrained from picture explanations and thus questions the historical status of the respective monument.

Catalog brochure 'Treppen im (stairs at) Künstlerhaus Bethanien' by Marianne POHL was published on the occasion of the exhibition there in 1981. It contains a total of 27 b/w photographs on, a text by Inken Nowald as well as a biographical artist's note.

Pb. (no dust jacket, as issued), 14 x 22,5 x 1,5 cm., 160 pp., 101 b/w ills.,

The out-of-print volume on August SANDER shows around 40 b/w photographs that are exemplary for the portrait work created between 1921 and 1930 - around the time of the Weimar Republic: people from Cologne, the Westerwald, the Eifel, Hamburg and Berlin.

Pb. with poster as dust jacket, 22 x 28 x 1 cm., 76 pp., with 11 color & 23 b/w ills., bilingual texts: German / English

Pb. (no dust jacket, as issued), 14 x 18 cm., 46 pp., English. Ltd. to 100 copies

The catalog 'Explosion des Sehens' (Explosion of Sight) provides an insight into the work of Magnum member René Burri. It contains previously unpublished material and documents the diversity of his work - book & exhibition design, collages & watercolors.

In his photo volume 'Local Continuum', published in a limited edition of 300 copies, skateboard photographer Helge TSCHARN juxtaposes analog photographs from the 1990s and early 2000s with recent digital images of the spot taken from the same perspective.

In the book 'Verlassene Ort' (Abandoned Places) various photographers document the beautiful and at the same time eerie atmosphere of places where decay has set in and nature has returned. The history & present of these places are explained in short texts

The photographic volume 'Reenactment' by Arwed MESSMER presents an artistic perspective on the legacy of the GDR secret police. It uses photos from the archives of the Ministry of State Security (Stasi) showing failed escape attempts at the Berlin Wall.

The volume 'Theorea' by Axel HÜTTE contains works from 1994 to 1996, showing industrial areas on the outskirts of the city, company premises in the green and Tuscan cultural landscape, seen through the concrete pillars of a utility building - no people.

Broschierte Ausgabe, 23,5 x 30,5 x 2 cm., 206 S., S/W- & Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

In 'Schön war's. From the Early Years of the Republic' photo artist Stefan HUNSTEIN explores the longings of the German society during the reconstruction. For this purpose he uses picture postcards from the 1930s to 1960s, which he manipulates & recolors.

This self published volume, 'Twentysix Ceramic Fountains' by French photographer Franck LANDRON, shows 26 b/w photographs of urinals from all over the world in the style of the cult book 'Twentysix Gasoline Stations' by American (photo) artist Ed RUSCHA.

'Kriegsfibel' (War Primer) by Bertolt Brecht is THE anti-war book. It was first published a year before his death and a few times reissued. This edition was published by his daughter, Barbara Brecht-Schall, in memory of book's creation in exile in Denmark

The photo volume 'Sight' by Yoko ASAKAI contains portraits of people from all over the world watching a film at home. The relationship between looking and being looked at is explored. The concentrated-portrait subjects seem to be unaware of the camera.

The images by Uwe STEINBERG in 'Berlin. Fotografien 1963-1983' range from observations in the Central Market Hall at Alexanderplatz from the early 1960s to insights into the industrial working world of the 70s to a long-term study of Schönhauser Allee.

The out-of-print volume 'Deutsche Bilder: Fotografien 1965-1980' by Dietmar GOTTSCHALL documents the life in Germany covering a broad photographic spectrum, from everyday events on the streets of Germany to the world of the successful business journalist.

This new edition of the photo volume 'Made in Germany' by Leonard FREED, first published in New York in 1970, has been accompanied by a booklet containing previously unpublished images, documents as well as texts from 50 years of his Germany photography.

Among the perfectly printed photographs in the book 'Fritz Kühn. Das photographische Werk 1931-1967', there is also a sequence of mostly unpublished photographs taken in Italy, which are among the most sovereign works of the artist who worked in the GDR.

Open binded HC (no dust jacket, as issued), 14,5 x 20 pp., 80 pp., 46 b/w ills., details but no text in English, Ltd. to 200 numb. copies

HC (no dust jacket, as issued), 27 x 27 x 1,5 cm., 120 pp., appendix, short overview about history, highly b/w illustrated, 930 gr., German / English

SC (no dust jacket, as issued), 17,5 x 27 cm., 64 pp., b/w ills., no text, Ltd. to 160 copies

HC with dust jacket, 20 x 27 x 2,5 cm., 267 pp., b/w ills., text language: English

The out-of-print photo volume 'Helmut Newton's Illustrated No.1 - No.4. Complete Edition' combines all between 1984 and 1995 of the self-published magazines by Helmut NEWTON in one volume. 134 of his best photographs - in black-and-white and in color.

HC 19,5 x 22 cm., 122 pp., b/w ills., bilingual text: English / German

In the volume 'Raum und Bild' (Space and Image), a dialog between applied & artistic photography unfolds from the comparison of images by Candida HÖFER with interiors from the over 150-year-old photography collection at the Museum für Fotografie in Berlin

The photo book 'Waffenruhe' (Truce) by Berlin photographer Michael SCHMIDT, reissued after 30 years - here in the English-language version - contains a subjective view of his hometown in the 1980s and is one of the most important photo books of all time.

The images in the self-published volume 'da denk ich, dass ich fliegen kann' by Conny HÖFLICH give insight into the parallel world of children and the loss of immediate access. The pictures also tell of this in their ambivalence of closeness and distance.

In 'Footfalls Echo', New Zealand photographer Freya COPELAND explores the loneliness & disconnection experienced in modern cities. The photos were taken in and around New York as well as in Berlin. Anextra volume contains an essay by Anna Hanlon in German

From its title to its formal arrangement of language, 'Dein Kampf' suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin - a city in which several ideologies collided - is their natural backdrop.

'Jenny, Jenny' is not documentary: ZIELONY avoids the journalistic impetus for certainty & truth. To him, the authenticity of the subject is as relevant as the question of the objectivity of the documentary image: both are never free of dramatic elements.

Broschiertes Exemplar in Japanischer Bindung, 18 x 23 x 1 cm., 136 S., deutsch-sprachiger Text - GERMAN TEXT ONLY! - Ltd. to 333 copies

Thread-sewn HC with silk, laminated & embossed with dust jacket, 24,5 x 31,5 cm., 72 pp., 32 triplex b/w ills., bilingual texts: English / German

Pb. with dust jacket, 20,5 x 27 x 2,5 cm., 220 pp., 126 b/w ills., bilingual text: German & English

Gebundene Ausgabe in Fadenheftung ohne Schutzumschlag (wie erschienn), 24 x 31 x 1,5 cm., 128 S., S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

SC (no dust jacket, as issued), 16 x 22 cm., 120 pp., full paged b/w ills., English / German

New edition of the long out-of-print photo volume, 'Berlin, Fruchtstraße am 27. März 1952'. Arwed MESSMER and Annett Gröschner address the facets of photo documentary by creating the portrait of a street of 32 individual photographs by Fritz TIEDEMANN.

In her out-of-print book 'Am fortgewehten Ort', Gundula SCHULZE ELDOWY tells of the synthesis in which the life of East Berlin bohemians in decaying rear buildings merged with that of the original inhabitants when she came to Prenzlauer Berg in the 1970s.

This book shows Marie GOSLICH photographs as a mirror of their time, documenting the social ills & the destruction of infrastructure in Berlin. With her camera she traces as well hardship, narrowness as decay and drew an unadulterated picture of the city.

The photographic volume 'Berlin. Wilhelmstrasse 44' by Candida HÖFER deals with an icon of 'architecture brute', which was built in the middle of the 1970s in the former GDR and is now shared by the Embassy of the Czech Republic and a Max Planck Institute

HC (no dst jacket, as issued), 21 x 28 x 2,5 cm., 192 pp., 150 b/w & color ills., bilingual texts: German / English

In his photographic volume 'Berlin', the American photographer of Jewish origin, Mitch EPSTEIN, shows the German capital Berlin's penchant for the surreal and pours human pathos into a complex form.

HC (no dust jacket, as issued), 29,5 x 23,5 x 1,5 cm., 80 pp., 36 b/w ills., bilingual texts: German / English

'Die Farbe Grau' combines photographs by Michael SCHMIDT - the series 'Berlin-Wedding' (1976-1978) and 'Waffenruhe' (1985-1987) with several pictures by famous artist Gerhard RICHTER from the years 1965 to 1974 as well as the work 'Siegel/Grau' from 1991.

The out-of-print photographic volume 'Places, Strange and Quiet' by German photographer and filmmaker Wim WENDERS presents the entire spectrum of his photographic work, from his outdoor shots and buildings to panoramic views.

This extensive, also in English available catalog volume, 'Werkstatt für Photographie 1976-1986', presents the history of German photography in the 1970s and 1980s, its international relationships, protagonists & networks, e.g. to the 'New Topographics'.

The multi-layered photographs in 'Metropolis. Berlin' by Barbara WOLFF take the viewer on an emotional journey through the city. 'Metropolis' is about the change of the city of Berlin, about provocation and chaos, about secrets, but also about visions.

The special of the title 'The Bird Project' by Eril BERGLIN lies in its realization as a high-gloss book. The contrast between the natural, colorful plumage and the cold colors of the urban space in which the birds find themselves is particularly striking

Espen EICHHÖFER, Annette HAUSCHILD - HC (no dust jacket, as issued), 24 x 30 x 2,5 cm., 236 pp., 132 color & 33 b/w ills., bilingual text: German / English

First overall presentation of the photographic work of the photographer, who was born in Dresden. To rediscover is a careful and accurate chronicler, a busy player in the GDR photo scene and a skeptical, distant observer of the post-reunification period.

'Berlin 1966-70' by Arwed MESSMER shows the student protests from the perspective of the Berlin police. For this he digitized over 1000 negatives. Edited in a film-like sequential narrative structure, he breaks down the boundaries between photo and film.

Out-of-print volume 'Berlin und die Berlinern' with 60 images by Lynn MILLAR and 27 b/w images by Will McBRIDE contains a compilation of the most expressive photos of an exhibition shown in 1958, supplemented by additional shots from East and West Berlin.

This photo volume 'Standing by the Wall - Berlin 1990' by Josef Wolfgang MAYER is designed in triptychs and consists exclusively of fold-out pages that expand the individual picture into a panorama. This suddenly makes the past time present again.

The photographs in 'Voll das Leben' by Harald HAUSWALD stand in contrast to the decay & insanity surrounding them. Pictures of the monotony, but also of the slowness of life in the GDR, testimonies of an isolated, enclosed world shortly before its demise.

The Anti-War book 'Kriegsfibel' (War primer) by Bertolt Brecht and Ruth Berlau processes press photos from the Second World War. Images of machines and gruesome scenes were given new captions, socialist-realist epigrams to give the scenes a primal meaning