Uk

The book 'The Rest is History' is a commentary on the British Brexit decision in 2020. Alejandro ACÍN questions the construction of history through theatrically staged photos taken in London during the last 24 hours of British-European political relations

With reportages from Albania, Italy, Poland, Spain & UK, Dirk ALVERMANN reminds in 'Streiflichter 1956-65' of the richness and diversity of European culture and history. Like fairy tales from ancient times, the b/w images tell of Europe's political roots.

Der Band 'Blue Prints', ist eine Hommage an eine Pionierin der Fotografie und eine große britische Künstlerin, Anna ATKINS, die 1843 den ersten Fotoband der Geschichte schuf. Er enthält eine Auswahl der schönsten Cyanotypien sowie Texte von Rolf Sachsse.

The volume 'Cyanotpes' presents for the first time in their entirety the album 'British Algae' by Anna ATKINS and 'Cyanotypes of British and Foreign Ferns', showing her pioneering technique of photographically documenting botanical species around 1850.

Out-of-print volume 'Missing Buildings' by Thom & Beth ATKINSON is the result of a project on buildings in London destroyed or damaged by bombing between 1940 and 1945. From the enigmatic gap to the mismatched post-war housing estate in the city center.

Out-of-print volume 'Birth of the Cool' by Daid BAILEY traces his life & work in the years from 1957-1969: his beginnings and contains photographs from London's East End, as well as previously rarely shown private & documentary footage from his archive.

'East End' consists of three hardcover books housed in a slipcase. Together the three volumes contain 620 photographs of the East End of London, each volume a collection of images taken by David BAILEY during a different decade, from the 60s up until now.

In 'Road to Barking' David BAILEY documents the borough of Barking & Dagenham in London's East End and its inhabitants: musicians, flower sellers & butchers, passengers on the Underground, policemen & punks and abandoned boats on the banks of the Thames.

'Shirley BAKER' presents a uniquely female portrayal of life from the 1950s to 2000. Edited by Lou Stoppard it features better known photographs from Manchester, Salford & Blackpool combined with previously unseen material from UK, France, Italy & Japan.

The catalog 'Accra/London. A Retrospective' is dedicated to the body of work produced to date by Ghanaian photographer James BARNOR, tracing his photographic practice over six decades: both the work in his homeland and his work, from London in the 1960s.