Tokyo

The out-of-print 'Vibrant Home' is a tender visual diary by Japanese photographer A-CHAN of the three places in which she has lived since 2000: Tokyo, Fujishiro and New York City. It contains color pictures she made wandering the streets with her camera.

The photo volume 'Araki' contains works from the last decades. Selected by Nobuyoshi ARAKI himself it represents the definitive retrospective of his work. Originally published as a limited edition, this volume delves deep into his typical pictorial world.

DVD (PAL, Dolby), 75 min., 1.33:1-Format (16:9 / 4:3), FSK: 16 Jahre, Japanese (with German subtitles)

Paperback ed. (no dust jacket, as issued), 26 x 18 cm., 80 pp., 38 b/w ills., Ltd. to 1,500 copies

The reissue of 'Sacchin' contains photos of street children taken in 1964 by the young Nobuyoshi ARAKI. Who exactly these children are and where they play is irrelevant - the narrative moment in these photos lies in the nostalgia that this series evokes.

SOLD! Here the collection 'Nobuyoshi ARAKI - The Works', consisting of 20 single volumes, is offered. The uniformly designed editions deal with different topics. Some volumes are extremely difficult to find today. A good opportunity!

Japanese photographer Shinya ARIMOTO presents his Tokyo's night creatures parade. A small publication in black-and-white and limited to only 100 copies.

In the book 'Tokyo Debugger', Shinya ARIMOTO intersperses photos of abandoned architectures as traces of past human activities, expanding the scope of his insect series - another world within Tokyo, dominated by the most successful creatives on the planet

The photo volume'Tokyo Jazz Joints' by Northern Irish photographer Philip ARNEILL and James Catchpole documents the culture of disappearing jazz pubs and cafes in Japan / Tokyo, the Jazu Kissa, where jazz records are played and time seems to stand still.

The photo volume 'Sight' by Yoko ASAKAI contains portraits of people from all over the world watching a film at home. The relationship between looking and being looked at is explored. The concentrated-portrait subjects seem to be unaware of the camera.