Theory

Slipcased DVD (PAL,) approx. 75 min., English

Out-of-print publication reconstructs the process of the creation of the book 'Love on the Left Bank' by Dutch photographer Ed van der ELSKEN on the basis of unpublished documents - contact prints, sketches, maps - as well as a text by Tamara Berghmans.

In 'Fotografiegeschichte der Abstraktion' (Photographic history of abstraction), Kathrin Schönegg traces the history of photography: from the experimental beginnings in the 1830s, through (pseudo)scientific, applied & artistic contexts, to digitalization.

HC (no dust jacket, as issued), 25 x 31 x 4 cm., 591 pp., highly illustrated, German text

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 17 x 24 x 2,5 cm., 300 S., 20 Farb- u. 200 SW-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

'Mauvais genre' presents views of men and women at the intersection of private life, the history of homosexuality, and feminist activism. Christine Bard and Isabelle Bonnet shed light on this often-silenced aspect through photos from Lifshitz collection.

In 'Joseph Beuys: Kunst Kapital Revolution' Philip Ursprung undertakes a historical journey to central BEUYS locations and offers a comprehensive overview of his works in the social, as well as economic-political context of the Federal Republic of Germany

English or German. Based on Helmar LERSKI's series 'Metamorphosis', this compendium, 'Faces. The power of the face', brings togehter portraits from the time of the Weimar Republic. Experiments, feminist role-playing games and political ideologies collide.

'Ein gutes Bild muss scharf sein' closes a gap in the literature about Arnold ODERMATT, who as a self-taught photographer in the post-war period recorded accidents, police service, everyday life as well as his family with his 6x6 medium format camera.

'Cologne and its photo books. Cologne in the photo book from 1853 to 2010 'by Werner Schäfke shows the city as a large puzzle. Whether published in-house, on behalf of the city or industry, they document the diversity of this old & young Rhine metropolis.

Richly illustrated compendium with many readable and interesting essays. The extensive field of amateur or commercial photography is examined: pictures that were created for bureaucracy, commerce & for personal commemoration - in contrast to artistic use.

Volume #11 in the book series on legedary & rare photo volumes, 'Alexey BRODOVITCH. Ballet', reproduces each dynamic double-page spread from this rarely seen volume along with a contemporary essay by leading BRODOVITCH connoisseur Kerry William Purcell.

HC, 31,5 x 28,5 cm., 168 pp., color ills., text language: English

by Fred Ritchie and Carole Naggar (eds), HC (no dust jacket, as issued), 21,5 x 29 x 3 cm., 272 pp., 1,600 ills., text language: English

The volume 'Gedruckt und erblättert' deals about the photobook as a medium of aestethic articulation and contains recent contributions from art scholars on the subject, discussing the photobook as a cultural-historical, social as well as political medium.

HC (no dust jacket, as issued,), 16 x 24 x 2 cm., 296 pp., 140 quadri color & b/w ills., 950 gr., text language: English

This 2nd volume, 'Conversations 2', by Rémi Coignet contains a set of 15 talks he did with players in contemporary photography to investigate the role of the volumes in the work of photographers, designers & publishers - and how their books are designed.

In 'Conversations', Rémi Coignet explores in interviews the question of what role the photo book plays in the work of photographers, designers & publishers and how their titles are conceived. Two more volumes with interviews have been published until now.

Broschierte Ausgabe (ohne Schutzumschlag, wie erschienen), 10 x 19 x 1,0 cm., 88 S., deutsch-sprachiger Text - TEXT ONLY IN GERMAN AVAILABLE!

English edition. The text and picture book 'Andy Warhol. EXHIBITS a glittering alternative' explores the exhibition strategies of the American artist Andy WARHOL. It presents probably the most famous icon of Pop Art as an installation artist and curator.

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 12,5 x 20,5 x 1 cm., 112 S., 60 S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

With books by John HEARTFIELD, MUYBRIDGE and many more. HC with dust jacket, as issued, 23 x 32 x 3 cm., 464 pp., color ills., 2,7oo gr., text language: English

'The Complete Essays' contains 68 texts by Luigi GHIRRI in which he discusses returning themes in his photographic work. It is also an unintentional, yet comprehensive treatise on the history and theory of photography, as well as a special autobiography.

'Directions for Leaving' on the work of Jeffrey SILVERTHORNE 1971-2006 pointedly asks existential life questions about identity, gender, love, violence, sexuality and death. The transsexual becomes the ultimate symbol, seeking ways to show his inner self.

In January 2020, Alec SOTH received a letter from a prison inmate asking the photographer for a dialogue. 'The Parameters of our Cage' contains the following correspondence in times of COVID-19 pandemic, 'Black Lives Matter' movement and civil unrest.

'But Still, It Turns', a photo and text book edited by prominent British photo artist Paul GRAHAM, brings together collected dynamic and diverse works that tell open stories. These are brought together in this volume - in harmony and revealing dissonance.

In the book 'Over Time: Conversations about Documents and Dreams', Alessandra SANGUINETTI reflects with her cousins on the 'The Adventures of Guille and Belinda' series and its development. The in-depth conversation is illustrated with unpublished images

Actual print run, HC, 25 x 29 x 3,5 cm., 336 pp., text language: English

For his photobook compendium 'Canon. On African Photobooks', Johannes Wohnseifer selected titles from his private collection that focus on the African continent. These photobooks, published between 1948 and 2011, are presented here in chronological order.

'At the Edge of Pictures' is the first monographic study of life and work of John STEZAKER. By using the eventful decades of the 1970s and 80s as a prism, Yuval Etgar offers a new reading of his mode of operation and a mapping of the strategies of collage

Broschierte Ausgabe (ohne Schutzumschlag, wie erschienen), 10 x 19 x 1,0 cm., 76 S., deutsch-sprachiger Text - TEXT ONLY IN GERMAN AVAILABLE!

Pb. (no dust jacket, as issued),

HC with dust jacket, 18,5 x 24 x 2,5 cm. (9,5 x 7 in.), 160 pp., 120 duotone b/w ills., English

English ed., eight slipcased pbs. (no dust jackets, as issued), 19 x 26 x 3 cm., 112 pp., text language: English

'Joseph Beuys. Werkübersicht 1945-1985' is the ideal introduction to Beuys's world of thought and imagination and the work he left behind in all its many metamorphoses. 152 illustrations from all of the artist's creative areas and a text by Alain Borer.

Pb., 19 x 24 cm., 224 pp., b/w ills., text language: German - GERMAN TEXT ONLY!

The images in the German language book '(Félix) Nadar. Bilder der Moderne' by Bernd Stiegler unfold a cultural history of Paris in the 19th century: Science & world exhibitions, aviation & agriculture, Haussmannization & hermaphrodites, tourism & theater.

Photo & text book 'Man redet immer zu viel' (You always talk too much) contains twelve interviews with Henri CARTIER-BRESSON from almost fifty years. In view of the flood of secondary literature, he provides authentic information about his life and work.

Thread-sewn pb. (no dust jacket, as issued), 21 x 28,5 cm., 304 pp., 299 b/w ills., bilingual text: German / English

Pb. (no dust jacket, as issued), 21 x 27 x 2 cm., 272 pp., 136 color & 61 b/w ills., text language: English

'Das Positiv' shows the concept of visualization, in which photographers imagine the final image in all its tonal gradation even before taking the picture. Ansel ADAMS points out all the possibilities that make the work on the positive a creative process.

HC with dust jacket, 24 x 32 x 4 cm., 383 pp., color ills., text language: English

'Mining Photography: The Ecological Footprint of Image Production' is dedicated to the material history of key raw materials in the context of photography, their dependence and establishs the connection to the history of mining, disposal & climate change.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 18 x 24,5 x 2,5 cm., 224 S., S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.

'Looking at Ansel Adams' is an immersive study that explores his life as an artist by illuminating the stories behind twenty of his most significant images. Lesser-known but equally important photographs provide unexpected insights into his personal life.

The focus of the catalog illuminating the early phase of the BECHER school is on the mutual influences between the image concepts emerging in Düsseldorf and the innovations of the 'New-Color Photography' and the 'New Topographics' movement in the U.S..

'Modern Instances: The Craft of Photography' by Stephen SHORE, with its essays, photos and stories,

HC with dust jacket, ca. 18 x 24 x 1,5 cm., 96 pp., (9,5 x 7 in.), 50 duotone b/w ills. text language: English

'In Search of African American Space. Redressing Racism' examines the relationship between the African Diaspora in the USA to identify a trans-historical moment in the time since the end of slavery, questioning the traditional understanding of spatiality.