South african photographer

The out-of-print volume 'The Hasselblad Award 2006' presents works by South African photographer David GOLDBLATT from 2004 to 2006 that address the country's situation in the post-apartheid era, including a number of his new triptychs on folding panels.

In this out-of-print photo book 'Lines, Marks, and Drawings. Lines, Marks and Drawings. Through the Lens of Roger Ballen', this volume examines his work from a new perspective, from distinctive portraits and complex photographic tableaux to YouTube films.

Gebundene Ausgabe mit Schutzumschlag, 29 x 26,5 cm., 255 S., S/W- und Farbaufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

Re-edit, linen bound HC, 26 x 25 cm., 104 pp., 77 tritone b/w ills., text language: English

In his new photo volume 'Solus. Vol.1', Pieter HUGO reflects on aesthetic values in the fashion industry. In portraits of models cast on the street, he examines the commercialization of youth and the paradox of striving for both otherness AND conformity.

In 'Intersections,' David GOLDBLATT explores the aftermath of apartheid in and outside Johannesburg. Made up entirely of color works, it reveals the contrasts that define South Africa while marking the beginning of an important new phase in his work.

In his haunting, fascinating photo essay about a dump in Ghana, South African photographer Pieter HUGO exposes the repressed downside of fast-moving consumption and tells of a community characterized by poverty and the will to survive of every individual.

Re-edit, linen bound HC with dust jacket, 28,5 x 28,5 cm, 180 pp., b/w ills., text language: English

The photo book 'Hyena Men', first published in 2007, made the South African photographer Pieter HUGO known outside the photo book scene. There is something disturbing about the images of wandering fairmen who entertain people with their animals.

Through frank and intimate photographic representations, the photo volume, 'Only Half the Story', by Zanele MUHOLI inspires a deeper understanding of the female form, skin color and different sexualities in a way that is unprecedented in South Africa.

'Structures of Dominion and Democracy' reconstructs the history of some publications of series by David GOLDBLATT and illuminates his work in the context of South Africa's political, cultural history, as well as his contribution to photographic history.

The photo volume 'Somnyama Ngonyama. Hail the Dark Lioness', the monograph by Zanele MUHOLI, one of today's most powerful visual activists, contains radical statements on identity, race and resistance, as well as a direct response to all forms of racism.

In the photo volume 'Avenue Patrice Lumumba' the South African photographer Guy TILLIM deals with the urban architecture of colonial and post-colonial society in Africa. His focus is on their changes due to multiple shifts in power over the past 50 years.

'Photographers References No.1' exposes the creative processes of South African photographer David GOLDBLATT. It provides insights into his practice by revealing personal references and influences that have helped shape his distinctive visual language.

HC (no dust jacket, as issued), 24,5 x 31 x 2,5 cm., 189 pp. + inner text with interviews, 93 b/w ills., text language: English

Out-of-print photo volume 'South Africa. The Structure of Things Then' represents the culmination of photography, research and writing by David GOLDBLATT. His more than 30 years of experience lends a meaningful undertone to the carefully composed images.

The images in the volume 'Partuclars' by South African photographer David GOLDBLATT were taken beginning in 1975, but the first edition of the book was published in 2003. For this re-edit, he has revised the original version of the book.

'Between the Devil and the Deep Blue Sea' on the work of Pieter HUGO contains 'Rwanda 2004', 'Looking aside', 'The Hyena Men...', 'Permanent Error', 'There's A Place in Hell For Me and My Friends', 'Nollywood', 'Kin', '1994' & 'Californian Wildflowers'.

The photo book 'Flat Noodle Soup Talk' by Pieter HUGO is the result of an 'artist in residence' stay. Other books in this series by Guy TILLIM, Michael KENNA among others. This book was published in a limited edition of only 500 copies.

In 'As Terras do Fim do Mundo', Jo RACTLIFFE traces the routes of the 'border war' that South Africa waged in Angola from the mid-1960s to the 80s. The focus is on the war zone itself and how past violencemanifests itself in the landscape of the present.