Political topic

'Men like Hitler' shows more than 100 private photos of men taken before 1945. Admittedly, the moustache on its own does not make someone a Nazi. But the men must have been known whom they resembled and owned the likeness when they looked in the mirror.

Linen bound HC with dust jacket, 26 x 25,5 x 4 cm., 384 pp., 110 color ills., text language: English

The out-of-print catalog volume 'Soviet Photography of the 1920s and 1930s' shows the great creative wealth: photographers of Pictoialism and Soviet avant-garde developed in parallel with each other until Stalinist ideology gave a direction.

The book 'The Rest is History' is a commentary on the British Brexit decision in 2020. Alejandro ACÍN questions the construction of history through theatrically staged photos taken in London during the last 24 hours of British-European political relations

The 'Our Lives and Our Children' series by Robert ADAMS was made very close to a nuclear weapons arsenal. This reissue includes an expanded sequence of images that retains the compactness of the first edition and the tonalities of the original prints.

Gebundene Ausgabe mit Schutzumchlag, 25 x 31 x 2 cm., 240 S., S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

'Algeria' by Dirk ALVERMANN consists of political contemporary documents, quotes from French military sources, pamphlets, newspapers and magazines that once accompanied him. As facsimile, it was also part of the sought-after 'Protest Box' by Martin Parr.

This out-of-print photo volume 'Dacapo', co-designed by Dirk ALVERMANN, contains b/w photographs whose subjects range from street carnivals in Düsseldorf & Cologne to everyday situations and photographs that can be read as political-critical commentary.

The out-of-print photo and text volume 'Fotoreportagen 1956-1965' on the work of Dirk ALVERMANN contains in addition to the black and white photographs an excellent article on his photo books penned by the photo book connoisseur Thomas Wiegand.

SIGNED COPY. In his 2nd photo volume 'Keine Experimente', Dirk ALVERMANN takes a critical and mocking stance on the period of the economic miracle as well as the Nazi past. The b/w photographs were taken between 1956 and 1961 in Berlin and the Rhineland.