Polaroid

'Mauvais genre' presents views of men and women at the intersection of private life, the history of homosexuality, and feminist activism. Christine Bard and Isabelle Bonnet shed light on this often-silenced aspect through photos from Lifshitz collection.

The out-of-print photo volume 'Nude in Polaroid' with its variety of photo artists and their visual languages by Barbara Hitchcock and Andy Grundberg gives a great overview of nude photography in the Polaroid age and the very different Polaroid material.

Peter ALEXANDER recorded his visual experiences of the Californian zeitgeist in his Polaroids from 1972 to the early 1990s. In 2020 he put the previously unpublished pictures together as pairs. The accompanying text reveals amazing connections to his art.

HC (no dust jacket, as issued), 42 x 30 x 2 cm., 80 pp., 167 ills., text language: English

HC (no dust jacket, as issued), 20 x 25 x 1 cm., 48 pp., color ills., text language: English, Ltd. to 400 copies

For 39 years, British photographer David BAILEY has photographed his wife Catherine on Polaroid film. The result, '117 Polaroids', has evolved organically over the decades. It is a visual poem, a testimony of collaboration and personal experience.

Out-of-print book 'Photographien' is the first monograph on Sibylle BERGEMANN. The pictures of the 'poetic realist' show respect for people & their living conditions. Fashion, reportage, essay, landscape, cityscape, portrait she mastered equally sovereign

This monograph on the work of the German photographer Sibylle BERGEMANN, published on the occasion of her 75th birthday, documents a representative exhibition of her work that was shown simultaneously at three locations in Berlin in spring 2017.

The out-of-print photo volume 'The Polaroids' by Sibylle BERGEMANN contains poetic and empathetic moments that document what basically cannot be captured. Dreamlike and delicate images against oblivion, which elude a temporal and spatial classification.

In his 'Polaroids from the Middle Kingdom', Lukas BIRK shows photographs taken between 2008 and 2010 in the People's Republic of China using expired film stock from the 1980s. The instant images capture the present through a filter of nostalgia & longing.