Photographer as an editor

The out-of-print photographic volume '10 Days in Krakow' by Yuan-yuan YANG is a travelogue and scrapbook in one. It is structured in three chapters and consists of snapshots, diary entries and found or taken during the stay in the (Polish) city of Krakow.

Based on a pocket edition of the Gospel of Matthew published in 1930, Javier VIVER recreates an illustrated Bible and uses photographs of the Spanish Civil War and the reorganization of archive images to investigate the desecration of religious models.

The very small photo book, 'Until death do us part', comes in an original box for cigarettes. It alludes to the role that cigarettes play in Chinese weddings: as a sign of appreciation, it is common for the bride to light a cigarette for every man invited

Open binded HC (no dust jacket, as issued), 16,5 x 24 x 2,5 cm., bilingual: English / Japanese, Ltd. to 500 numbered copies

Loose-leaf publication in a metallic gold bag, 30,5 x 38 x 1 cm., 40 pp., color ills.,

The photographic volume 'Reenactment' by Arwed MESSMER presents an artistic perspective on the legacy of the GDR secret police. It uses photos from the archives of the Ministry of State Security (Stasi) showing failed escape attempts at the Berlin Wall.

Pb. (no dust jacket, as issued), 22 x 25 x 1,5 cm., 128 pp., 166 ills., bilingual: German / English

'Good Hope' by Carla LIESCHING, combines essays and found photographs with sources ranging from apartheid-era trade journals, tourist pamphlets, magazines to current newspapers and family albums. A critical examination of contemporary settler colonialism.

'The Many Lives of Erik Kessels' provides an overview of how to better understand and appreciate the hybrid way of working of the Dutch photographic artist Erik KESSELS, who defies any categorization. With more than twenty works as well as many essays.

'Let’s get shitfaced, it’s free.' contains photographic recordings, Erik KESSELS' answer to the idea of ​​a sketchbook - brought into a form that examines image contexts, themes, colors and textures; not to give answers, but to provoke and to question.