Photo journalism

'Living Apart' by Magnum member Ian BERRY includes work from the 1960s for Drum magazine as well as key moments from the 1990s during the collapse of apartheid: the rise of Mandela, reconciliation, & the alarming escalation of urban problems and violence.

'Ikonar. Archival Constellations' contains a large number of materials by Josef KOUDELKA from the years 1960 to 2012 as well as important series from his photographic work together with seven thematic constellations derived from the logic of his archive.

Robert CAPA is considered to be the founder of photojournalism. His impressive photos of the Spanish Civil War made the passionate opponent of war world over night famous. In addition to most famous works, this portfolio also presents rediscovered images.

'Post script' by Laura EL-TANTAWY, designed by Sybren KUIPER in accordeon format, contains previously unpublished images & written reflections in which she takes the reader behind the images and into the thoughts and emotions that led to their creation.

'Am I exploiting the people in my pictures? Is it moral to work as a war photographer? Why are we attracted to images of other's misery? Am I producing war pornography?' In 'War Porn' Christoph BANGERT dares to experiment with turning off self-censorship.

Out-of-print 'Leipzig. Photographs 1956-1959' by Günter BLUTKE shows the saxonian city in the mid-fifties, taking us back to that time and the people living this time of new beginnings, 10 years after the war and before Germany was divided in two states.

In 'Unresolved' Meinrad SCHADE examines how conflicts also show themselves in everyday life. The series, made in Israel & Palestine, is the continuation of his long-term project 'Krieg ohne Krieg' documenting landscapes and people in the grip of conflicts

Inspired by military manuals, American ex-soldier Ben Brody's diary-like photo book 'Attention Servicemember' is a passionate exploration of the wars in Iraq and Afghanistan.

The US report in out-of-print book 'Heartland' by Thomas HOEPKER is a prime example of committed photojournalism personally interpreted, of photography as reportage at the highest level of formal aestheticism. Photo history and at the same time up to date

HC (no dust jacket, as issued) 19,5 x 22,5 x 1,5 cm., 88 pp., 54 color ills., text language: Swedish