Personal topic

The volume 'Picture of My Life' by Junpei UEDA is the result of workshop in Tokyo, where he created 21 copies. This edition is as close as possible to the original edition, but in a larger print run of 500 copies to make it available to a larger audience.

Laia ABRIL has been working on projects dealing with the so-called 'world epidemic of eating disorders' since 2010. The volume 'The Epilogue' tells the story of the Robinson family and the consequences of the loss of their 26-year-old daughter to bulimia.

In addition to a personal reappraisal, 'The Last Son' by Jim GOLDBERG is a story about perseverance, family dynamics and the struggle to exceed expectations. To do this, the photographer sifts through his archive, which consists of various image sources.

In 'Black Passport' Stanley GREENE attempts to come to terms with the impact his volatile work in the world's crisis zones has had on his life. By combining cruel photographs with authentic statements, an impressive portrait of the photographer is created

'Tenko', is an intersection between the photos of artist HANAYO, mother of Tenko, and the mystical, sensual photos of Tenko's favorite children's book, 'Alice' by Hajime SAWATARI, one of the first books Tenko came in contact with during her childhood.

In a convincing artistic form, this photo book 'Mayflies' deals with the way the photographer feels about her own motherhood after losing her own mother. 'Mayflies' impresses with its special book design (by Joao LINNEU) and its excellent print quality.

In her artists' photo volume 'Delta', Swedish photographer Hannah MODIGH turns the camera to her personal life in her quest to explore existential question regarding the cycles of life. Numbered and signed copy with one C- print.

The volume 'Kill the Pig' by Masahisa FUKASE brings together two series, first shown in 1961. 'Kill the Pig', was taken in a slaughterhouse in Shibaura, Tokyo. 'Naked' shows the photographer himself and his then partner Yukiyo Kawakami in various poses.

Leporello (no dust jacket, as issued), 19,5 x 27 x 2 cm., 29 color ills., English, Ltd. to 250 copies

In his long out-of-print book of photographs, 'I Want to Live Innocent,' Norwegian photographer Torbjørn RODLAND uses his hometown of Stavanger to reflect on the paradoxes that come with affluence and materialism in the center of Norway's oil industry.