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Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.

The out-of-print 'Zeitblende' was published on the occasion of the 50th anniversary of the famous photo agency Magnum. The picture & text book provides an overview of the impressive field of reportage photography that is commensurate with its significance

The collection for the book 'Personal Best' was selected by Elliott ERWITT himself. Anyone who browses through the carefully edited retrospective will be filled with a nostalgic mood, a sense of wonder - and an enduring feeling for the richness of life.

by Horacio Fer#andez (ed.), , HC (no dust jacket, as issued), 24 x 32 x 3 cm., 255 pp., richly illustrated, text language: English

'Labour book. 2014-2015' by Ukrainian photographer Kirill GOLVCHENKO is to be understood as a criticism of the economic situation in his home country. Against the background of the original document of his father, he shows the true situation of pensioners

Volume No.6 of the book series 'Grosse Photographern unserer Zeit' (Great Photographers of Our Time) presents the work of Swiss Magnum photographer Werner BISCHOF (1916-1954) in over 80 b/w images - works in the area of tension between art and reportage.

The catalog 'Explosion des Sehens' (Explosion of Sight) provides an insight into the work of Magnum member René Burri. It contains previously unpublished material and documents the diversity of his work - book & exhibition design, collages & watercolors.

The very limited edition volume 'Everyday Abstracts' by Luke Drozd is a silkscreened publication, part of the 'Accumulation Primitive' series , featuring abstract works created from collected textures. Here volume 69 of 70.

Presenting work from the earliest to contemporary photographers, out-of-print 'Making It Up: Photographic Fictions' puts paid to the fallacy that ‘the camera never lies’. These photographic fictions find new relevance in our so-called ‘post-truth’ age.