Limited print run

In her out-of-print volume 'LAND', Dutch photographer Laura van SEVEREN expands the concept of landscape photography to include abstraction; In addition, their work includes an industrial-economic-critical aspect. This makes the work a relevant photo book

The book 'Magic Eye' offers an overview of the work of René GROEBLI. We discover his fascination for movement and speed. And we encounter the rich hues of his unique, innovative color photography, through which even commissioned works become timeless art.

'Ephemere' by Paul CUPIDO emphasizes the volatility of existence in the process of creation, metamorphosis and disappearance. It's about the fragility of life, the interconnectedness of human / non-human and the silence on which every expression is based.

The photos in 'At Dusk' by Miyuki OKUYAMA give insight into her inner life and her states of mind as she moved from one culture to another. The images are inspired by fragmented childhood memories, long repressed fears, and vaguely remembered nightmares.

Photography exists because of the light, but the landscapes in VAN DER MOLENS photographs stand out from the darkness. Her monochrome photographic works arise out of the desire to penetrate deep into the core of the isolated world in which she photographs

Out-of-print artist's book, 'Lange Weile' by Tina BARA, contains b/w-mages taken between 1983 and 1989 in East Berlin, the old GDR and other travels. This visual diary captures a moment right before the collapse of an entire political & ideological system

Pb. (no dust jacket, as issued), 10,5 x 8 cm., 28 pp., 24 b/w & color ills., Ltd. to 120 numbered copies

The book 'Memories People Places' by Swedish Anders PETERSEN, contains portraits from the series 'Ingen har sett allt', which were taken in a psychiatric hospital in Stockholm. It is the conclusion of a trilogy about worlds that are isolated from society.

The color photographs in the book 'Lana' by Terri WEIFENBACH were taken in same named small Italian village in the mountains of South Tyrol. The American photographer creates images that breathtakingly, dream-like & enchanting memories of hazy summer days

This out-of-print photo volume, 'Jetlag and Alcohol' by Morten ANDERSEN, is both a visual diary and a profound portrait of the city of New York. The b/w photographs in it take you into a multifaceted cityscape.

Self-produced maquette 'Suits. London, Tokyo, New York 2007-2008 vs. Facts & Fiction 1929-2008' by Katja STUKE focuses on one single theme, suits and how they are worn. Limited to 150 copies.

SC, 10,5 x 15 cm., 64 pp., color ills., Ltd. to 250 copies

'Icaro' by Irene ZOTTOLA was created from leaves of a found encyclopedia, selected fragments of a novel and photographic prints made in the darkroom with liquid emulsion. The project aims to establish a parallel between bird flight and human life journey.

In 'Shikawatari' (Deer Crossing), Chieko SHIRAISHI focuses a herd of deer. The shy animals roam through the snowy landscape of wintry Dōtō (Eastern Hokkaido), across frozen lakes and sparse forests. Both keep distance from another, and watching each other

The b/w photographs in out-of-print artist's book 'Super Pussy Bangkok' by Elisabeth NEUDÖRFL, are taken from three streets in Bangkok where prostitution for Western sex tourists takes place. They document the environment behind the animation industry.

In 'Signs and Traces', Swedish photographer Gunnar SMOLIANSKY has captured the little things in life. They are black-and-white shots of things that most people carelessly pass by. Traces of people, without the people themselves appearing in the pictures.

In 'Book Manifest' Irma BOOM presents her vision of the nature, meaning nad relevance of the book. Based on more than 350 of her books, she shares her knowledge gained from intensive research and discusses context and relationship to the traditional book.

Small spiral bound 'Paloma al Aire' is an ethnographic documentary in which groups of men run through the countryside behind their male pigeons, observe their mating achievements, discuss the rules & decisions. From this CASES has made a photographic gem.

Softcover (no dust jacket, as issued), 18 x 24 x1 cm., 80 pp., approx 53 b/w ills., afterword and history of Chikuho, in Japanese only.

'City Diary #4, follow-up to the first 3 'City-Diary'-volumes by Anders PETERSEN, shows his ongoing exploration of the gritty & beautiful in life as it unfolds before him. The title will be to buy HERE in February 2024 as part of the 'City Diary #1-7' set

'Miuramisaki' is a narrow, large-format photo book in a beautiful slipcase. The six b/w photographs show the snake that the Japanese master photographer Issei SUDA encountered at home in 1975 and that has thus found its way into the world of photo books.

'Kochetov' by Victor & Sergey KOCHETOV, the b/w photographs taken between 1970 and 2000 are given an ironic twist by their colorization. The tradition of 'Lurik' photography experiences here its aesthetic limits. Book design is made by Ania NALECKA-MILACH

SC with plastic dust jacket, 20 x 15 x 1 cm., 180 pp., color ills., text language: English, Ltd. to 850 copies

The photo volume 'Fathom' ('Lot' in the German version) by Bernhard FUCHS contains full-paged portraits. Once again we feel the prevailing atmosphere of closeness and distance, which is unique to him, was already visible and tangible in his other series.

HC, 26,5 x 21,5 cm., 78 pp., 30 color ills., text language: English, Ltd. to 500 copies

The comprehensive publication 'The How we See: Photobooks by Women' is an invaluable reference. Sien contains current and historical photo books by women photographers, a chronology and essays on the history and practice of photo books by women.

'Waiting' by Jason LARKIN is the result of an observation. This state of waiting is for him a visual echo of an intermediate state in which many inhabitants of South Africa find themselves. There is no reference to the purpose or the result of the waiting

In his 'Wuhan Diary', Peter BIALOBRZESKI turns his gaze on the Chinese city of Wuhan. His pictures - taken between February 22 and March 12, 2017 - show a pulsating city with over 19 million inhabitants, which has to cope with its own rapid development.

Special Edition. It comes in a folder, approx. 24 x 32 cm, hand bound + 1 signed & numbered print (ed. of 30)

The book 'Absentee' by Sayuri ICHIDA deals with the transience of existence and is an impressive representation of the feeling of detachment. By juxtaposing one's own body with everyday objects, the boundary between man and the things he has created blurs

The leporello volume 'One Day Every Day' by Zuzana PUSTAIOVÁ is an ironic commentary on social norms. It shows the deeper layers of institutional restrictions, which are thought up by politics and passed on to the public by the media and social networks.

The self-published, glossy volume 'CHAMPÚ' is about a group of teenagers in La Vibora, a suburb of Havana. The images of these young girls and boys mingle to create a colorful still life that has become the nest in the city for Belgian Vincent DELBROUCK.

In his book debut photo book 'FOLK', US-American Aaron SCHUMAN explores the Ethnographic Museum in Krakow, focusing specifically on the regional and cultural heritage of his ancestors. Personal narratives are interwoven with preservation and documentation

Pb. (no dust jacket, as issued), 17 x 22 x 0,5 cm., 64 pp., 46 b/w ills., 400 gr., text language: English

In 'Photographic Syntax', ALBARRÁN CABRERA explains why they produce their own images using different photographic processes, why they use the medium of photography as a learning tool, and the thoughts behind images, many of them previously unpublished.

For 'Scrap Book', Hajime KIMURA rearranged his 'Kodama' material and enriched it with photographs, annotations as well as illustrations. The book consists of raw image clippings and sketches, conveying his unique approach to the rare Matagi tribe.

Pb. (no dust jacket, as issued), 10,5 x 8 x 0,5 cm., 54 pp., 50 color ills., no text, Ltd. to 150 numb. copies

'Fastidiosa' by CAIMI & PICCINNI is the result of 6 years of photojournalism by the duo on the plight of local farmers and environmental degradation in the Puglia region of southern Italy. A very personal and intense account of the Xylella plant epidemic.

The self-published photographic volume 'Dry' by Abdo SHANAN is about migration. It is meant to question our self-image and make the viewer feel uncomfortable and uneasy, as well as doubt everything we have been told about national identity and 'belonging'

The catalog on Sergey BRATKOV, titled 'Glory Days', contains images from 1997 to 2007- an idiosyncratic mix of reportage & staged photography. It places his work in the context of recent photographic art and the social environment in Russia and in Ukraine

Pb. (no dust jacket, as issued), 23,5 x 20,5 x 1 cm., 72 pp., 54 color ills., text language: English, Ltd. to 700 copies

For his photo volume 'City Diariy #5', Anders PETERSEN has photographed life beyond the fringes of polite society. His subjects, a world of prostitutes, transvestites, alcoholics are a testament to his passion for identifying and engaging with subcultures

The photo volume 'The Significant Savages' by Gregoire PUJADE-LAURAINE contains an arbitrary selection of social network profile images that show alternative artifacts instead of people, e.g.: Forests; animals; bicycles, boats; cities, socks or galaxies.

'Broken Manual' by Alec SOTH is the result of a long-term project. The Magnum photographer explores here those places where people retreat to escape civilization: Monks, survivalists, hermits as well as runaways. And yet this is no ordinary documentary.

Self-published, out-of-print 'Bifröst' by Espen KRUGHAUG explores the realm of insomnia (sleeplessness), a disease from which millions of people suffer. Based on own experiences, he attempts to portray strange thoughts that can arise from lack of sleep.

The photographic volume 'Waldungen' by Austrian photographer Bernhard FUCHS contains fifty landscape photographs taken in the 2010s in his home country, which he had left in the 1990s to study with Bernd BECHER at the Düsseldorf Kunstakademie.

HC (no dust jacket, as issued), 20 x 25 cm., 92 pp., color ills., English, Ltd to 500 copies / 150 munb., stamped & signed copies

Hand sewn pb., 21,5 x 28 x 0,5 cm., 32 pp. (double gatefold page incl.), 62 b/w ills., text language: English, Ltd. to 750 copies (three covers, 250 each)

The photo book 'Exile' is the third chapter of Vasantha YOGANANTHAN's long-term project' A myth of Two Souls', it tells of Rama's life in the forest, together with Sita and her brother Lakshmana.

SC, 10,5 x 8 cm., 54 pp., 24 b/w ills., Ltd. to 72 numbered copies +

1983, having built himself a rudimentary 8X10 camera, Guido GUIDI began working on several projects: via Emilia, via delle Industrie in Marghera, and a mine at Monte Grappa, Gibellina. 'Monte Grappa. 1985-1988', traces his work at Monte Grappa until 1988.

The images in the volume 'Mühl' by Bernhard FUCHS, taken between 2014 and 2019 in the Mühlviertel in Upper Austria, show nature details on long walks. Colors and different angles of view give the seemingly small and inconspicuous its great significance.

HC, 29 x 29 x 1,5 cm., 52 pp., 25 color ills., bilingual text: Swedish / English, Ltd. to 525 copies

This limited edition self published photographic zine 'Bitch I'm Drowning'by Victoria JUNG is combining the photographs of same named series with illustrations and typographical experiments of trap music song lyrics.

One of the last master students of Bernd and Hilla BECHER, published his first conceptual work, the portrait of the small lower saxonian city in which he once grew up, on newspaper paper - nine years before publication in photo book format.

The book 'The Naval Base' is about a Dutch town that was built, bombed and rebuilt by the government. Rob HORNSTRA documents how people live in and with the naval base. The photos are accompanied by text and commentary; the design is by KUMMER & HERRMAN.

In 'Don't Fade to Grey', Olaf UNVERZART creates images that raise subtle, melancholic questions. His coarse-grained b/w images, taken with analog cameras, associate both transience & openness. It was designed by the award-winning designer Andreas TÖPFER.

SC, 21 x 30 cm., 16 pp., 32 full paged color ills., Ltd. to 100 copies

This self-published photo volume 'I can't get through the chaos' by Polish photographer Michal ADAMSKI tells the story of the year he said goodbye to his parents forever. The images, mostly in black & white, show real, tangible death, not his imagination.

The self-published photographic volume 'Bäume um uns' (Trees around us) by Gerhard KURTZ and Daniel SADROWSKI contains photos of the urban greenery in Dortmund, photographed year-round in color (KURTZ) and after a storm in black and white (SADROWSKI).

'Supernatural' by Katja STUKE is the result of a long-term project and limited to 150 copies. The work shows portraits of artistic gymnasts and high diving athletes photographed from a TV screen during the Olympic Games in Sydney, Athens, Beijing & London

The calendar contains twelve works of the 'Guerilla' street artist BANKSY. The cover motif, 'Girl With Balloon' / 'Love is in the Bin', is simultaneously included as a poster, it became known worldwide at an auction in 2018, when it began to self-destruct

The small photo volume 'Lost Rivers' by Irish photographer Éanna de FRÉINE is an investigation of forgotten rivers, streams and watercourses in three Taiwanese cities. Neglected and shabby, they are an example of how man subjugates nature.

Out-of-print 'The Peace Weary' by Diana SCHERER and Menno Wigman was created after 'A Murder in Rotterdam' with police photographs from 1905 to 1967. Independently of each other, both were inspired by the photographs and developed this joint book project.

The black-and-white photographs in the volume 'Bye-bye, Belyn. In a village in Brandenburg' by Conny HÖFLICH show the everyday life of young people in a small village. The photographs were taken between 2005 and 2007.

'Quitting Your Day Job. Chauncey Hare's Photographic Work' addresses the difficult relationship between art & politics that has defined the career of Chauncey HARE. Robert Slifkin draws on largely unexplored material to analyze these brilliant photographs

This photo volume, 'Bunt: Farbige 1970er Jahre' (Colored. Colorful 1970s) by early BECHER student Volker DÖHNE, shows photographs of colorful cars in groups as well as stand-alone gazebos. The book is rounded off by a German-language introductory text.

'Twentysix Houses Along Waldeggstrasse' by Otto HAINZL quotes the artist book 'Twentysix Gasoline Stations' by Ed RUSCHA. The b/w images by the Austrian show the empty buildings of a street in Linz as well as the social dramaturgy of urban development.

In 'Photobooks &' researcher Matt Johnston explores trends & practices based on research, interviews & his own experiences. He proposes a critical framework for looking at photo book use and calls for a reorientation to address its communicative potential

The very limited edition volume 'Everyday Abstracts' by Luke Drozd is a silkscreened publication, part of the 'Accumulation Primitive' series , featuring abstract works created from collected textures. Here volume 69 of 70.

Pb. (no dust jacket, as issued), 19,5 x 30 x 1 cm., 52 pp., b/w ills., text language: English, Ltd. to 150 numbered copies

The mono.kultur issue #37 is dedicated to US-american photojournalist & war reporter James NACHTWEY. One issue consists of photographs, the other of an interview, reproduced in English, about the reality of wars and how images can bring about resistance.

The first series by Pawel JASZCZUK, 'Sleeping Train', was created in 2004. This small volume contains full-page portraits of sleeping travelers on the Tokyo subway. A great addition to 'Tokyo Compression', 'Subway' (Bruce Davidson) and 'Manhattan Transit'

This self published volume, 'Twentysix Ceramic Fountains' by French photographer Franck LANDRON, shows 26 b/w photographs of urinals from all over the world in the style of the cult book 'Twentysix Gasoline Stations' by American (photo) artist Ed RUSCHA.

The limited edition photographic volume 'HAUS HOF LAND' by the photographer Brigitte BAUER, who lives in the south of France, contains color photographs of her German homeland from 1987 to 2017.

In the leporello-format book 'Galeb', Matija BRUMEN documents the interior of the state yacht with an eventful history during WW II, which was used by former Yugoslav President Josip Tito for representation (1952 to 1980) and is currently rotting unused.

'Trente-Trois Pichets Pastis' is a tribute to the artist Ed RUSCHA, whose artist books are among the most influential photo volumes. Rui CAMILO staged Pastis pichets - for connoisseurs of Ed RUSCHA's artist books as well as for the French Savoir Vivre.

For his photo volume '101 Movies. A Survey of American Drive-in Theatres 1976', Herman VAN DEN BOOM documented the remains of Drive-In movie theatres in the US-states of Nevada, Texas, California, Oklahoma, Colorado and Arizona in black and white photos.

Self-published volume 'Do You Sea?' by Selen BOTTO deals about unvisible waste on beaches. It contains over 50 photomontages, the Italian photographer/artist by covering areas of colored beach photographs with plastic pieces and photographing them again.

The images by Uwe STEINBERG in 'Berlin. Fotografien 1963-1983' range from observations in the Central Market Hall at Alexanderplatz from the early 1960s to insights into the industrial working world of the 70s to a long-term study of Schönhauser Allee.

'Landeszentralbank. 2000 - 2016' by Andreas GEHRKE is based on the visual language of his trilogy on vacant buildings of post-war modernism in Germany. The photographs in the self-published photo book capture the building complex in an intermediate phase.

The artist photo volume 'Für mich' (For Me) by German photographer Sina NIEMEYER is an autobiographical story about sexual abuse. The project was born out of the need to understand and come to terms with what happened to her at a pre-pubescent age.

Gebundene Ausgabe mit Schutzumschlag, 15,5 x 21 x 2 cm., 120 Seiten, S/W-Aufnahmen, deutsch-sprachier Text - TEXT ONLY IN GERMAN, Ltd. to 500 copies

After photo volume 'Until I break', 'Hard Theory' is the second self-published book by photographer Thomas SING. The texts in English & German were developed and written with Alexandra Keiner and Chiara Padovan. In paperback format, limited to 400 copies.

The self-published photographic volume 'Dust to Dust' by Adrian TYLER is about the fragility of existences. It documents in color photographs the remains of abandoned dwellings found in the Outer Hebrides and Orkney Islands between 2004 and 2005.

HC (without dust jacket, as issued), 21 x 26 cm., 112 pp., 86 color ills., Daido MORIYAMA'S essay in English, Japanese & Spanish, Ltd. to 1,000 copies

In his photographic volume 'By Lamplight / I lampans sken', Swedish photographer Johan SUNDGREN has documented his work as a caregiver in a nursing home. Through the close relationships formed during daily work, the photos convey real privacy.

The self-published publication 'Gender Bender' by German photographer Lisa Diandra KRUEGER is about people who rebel against rigid role-specific gender classifications. The portraits reveal the artificiality of social role models.

SIGNED COPY. 'Stuttgart. 28 Photos aus dem Südwesten der Republik' by Christopher ANHALT contains full-paged b/w images from South West Germany. The limited edition photo volume was nominated for German Photobook Price 2009. Book design by Stefan KAETZ.

The photographs in 'Play Life. Neighbors in the Western Balkans' by Dirk GEBHARDT show seemingly casual everyday situations, but what do the subtle symbols of the national mean in the streets of the capitals, Pristina, Belgrade, Skopje as well as Sarajevo

The photo volume 'Asleep in Dirt' by Yair OELBAUM contains photographs taken with a Macro 5 Polaroid camera. By experimenting with the camera, which was originally intended for dental and crime scene photography, he created abstract, emotional images.

The illustrated book 'A Lack of Clarity' by Danish filmmaker Stefan KRUSE transfers his documentary film onto paper. The film stills offer an alternative view of evolving digital technologies and what is visible (and controllable) in the contemporary city