Limited print run

'Icaro' by Irene ZOTTOLA was created from leaves of a found encyclopedia, selected fragments of a novel and photographic prints made in the darkroom with liquid emulsion. The project aims to establish a parallel between bird flight and human life journey.

In 'The Screw', Akihito YOSHIDA shows people who make the 'screws' of ships in small workshop in Bangladesh. They work together to create a cold, hard metal by pouring molten red liquid, like magma, into the pitch-black ground, covered with iron sand.

'Yashi no mi' by Miho YOKOCHI is a photo report about her travels to coastal cities in Japan - in the tradition of Tamiko NISHIMURA, who traveled to the Tohoku, Hokuriku, Kanto, Kansai and Chugoku in the 1970s and published her series as a photo book, too

The photo book 'Exile' is the third chapter of Vasantha YOGANANTHAN's long-term project' A myth of Two Souls', it tells of Rama's life in the forest, together with Sita and her brother Lakshmana.

For 'Afterlife', the sixth volume of his long-term photo book project on India's saga, 'A Myth of Two Souls', France based photographer Vasantha YOGANANTHAN created collages of multiple image layers to put the viewer in a state of disorientation.

The book 'Hayal & Hakitat' by Cemre YESIL shows the hands of Turkish prisoners from early 20th century Turkey and are from the photo albums of Abdul Hamid II, the 34th Sultan of the Ottoman Empire. It consists of two parts that can be viewed side by side.

Out-of-print book '404 not found' by Li YANG deals with an abandoned place in Poeple's republic of China. It contains images of the city, which was once designed as a research base and was home to up to 50,000 people at times, taken around the year 2000.

The photo volume 'Shooting the Tiger' by Chinese-Dutch photographer Xiaoxiao XU shows an aspect of Chinese culture that is in the process of disappearing. It documents the colorful world of Shèhuo - we travel with her from village to village.

Out-of-print 'Hong Kong Umbrella' by Michael WOLF shows umbrellas in the Back Alleys. The cover also refers to the yellow umbrella as a symbol of protest against Chinese appropriation; images of the 'Umbrella Revolution' by Lam Yik FEI can also be seen.

The book 'Hong Kong Storage' by Michael WOLF is the 9th book of his Hong Kong books. Hong Kong back alleys were his laboratory for exploring behavior, creativity & inventiveness of the city's inhabitants, visible in the variety of improvised arrangements.

Out-of-print volume 'Hong Kong Rubber Boots and Shoes' by Michael WOLF contains images of everyday from 'his' laboratory for exploring the behaviors, creativity and inventiveness of the city's inhabitants, reflected in the variety of random arrangements.

The photo volume 'Hong Kong Lost Laundry' by Michael WOLF shows laundry carried away by the wind, which lands on cables, roofs and billboards and has thus become wondrous sculptures of everyday life. The final volume of the series 'Informal Solutions'.

'The Poetry of the Instant' offers the most comprehensive overview to date of the work of Sabine WEISS. It traces her entire career, from reportage for magazines of the time to portraits of artists, fashion and street photography, and numerous travels.

The color photographs in the book 'Lana' by Terri WEIFENBACH were taken in same named small Italian village in the mountains of South Tyrol. The American photographer creates images that breathtakingly, dream-like & enchanting memories of hazy summer days

Out-of-print 'A Dalston Anatomy' by Lorenzo VITTURI explores the cycle of emergence, disappearance & reappearance. He spent time at London's Ridley Road Market to photograph and to create sculptures & collages from materials found in the market's debris.

The photographic volume 'A Light Inside' by Danielle VILLASANA is a counter to the sensationalist, stereotypical portrayals of trans women. It shows their life in Peru, where the photojournalist spent three years in a community of transwomen in Lima.

Leporello (ca. 2,40 m), covered with dj, 12 x 20 cm., color ills., no text; ltd. to 200 copies

Pb. (no dust jacket, as issued), 16 x 24 x 1 cm., 108 pp., color ills.,

'Wuhan Radiography' by Simon VANSTEENWINCKEL is an artistic result of the COVID-19 pandemic. Virtual wanderings through Wuhan, were photographed with an X-ray film from the computer screen to create a seemingly personally experienced image of that place.

In her out-of-print volume 'LAND', Dutch photographer Laura van SEVEREN expands the concept of landscape photography to include abstraction; In addition, their work includes an industrial-economic-critical aspect. This makes the work a relevant photo book

HC with silver foil stamp (no dzust jacket, as issued), 14 x 20 cm., 96 pp., 91 b/w ills., English

For his photo volume '101 Movies. A Survey of American Drive-in Theatres 1976', Herman VAN DEN BOOM documented the remains of Drive-In movie theatres in the US-states of Nevada, Texas, California, Oklahoma, Colorado and Arizona in black and white photos.

Self-published photo volume 'Als een vogel zu vrij' (Like a free bird) by Suzanne VALKENBURG is about life in a trailer park on the edge of a residential area in Arnhem. It includes about 70 black-and-white photographs showing an indestructible community.

This photo book, 'Ie no kaze' (The Winds of Home) by Japanese Rei USHIGAKI, deals with the universal search to understand what one's roots are. It functions as a conversation with a place that is foreign and at the same time the origin of one's own roots.

'Sans moi' convinces above all as a book object, in that the sensual unison is always preserved in an excellent way. Even when Olaf UNVERZART's gaze descends from the sky to a desert landscape, the high quality of the photographs cushions the visual break

The photo volume 'Leichtes Gepäck' by Olaf UNVERZART is a strikingly different photo book, which one gladly takes in hand to accompany the German photographer on his 27 journeys made over a period of ten years throughout the world.

For 'Hundert', Olaf UNVERZART returns to his Upper Palatinate home to portray the one hundredth year of his grandmother's life. The photographer unfolds the reality of his protagonist's life in intimate close-ups of the centenarian and landscape images.

In 'Don't Fade to Grey', Olaf UNVERZART creates images that raise subtle, melancholic questions. His coarse-grained b/w images, taken with analog cameras, associate both transience & openness. It was designed by the award-winning designer Andreas TÖPFER.

The photo book 'Far Away' by Ahmet UNVER examines the Turkish community that still does not feel part of Swedish society. His parents moved to Sweden as migrant workers from Turkey. The images illustrate feelings of isolation and the search for identity.

Open spine binded HC (no dust jacket, as issued), 21 x 33 x 2 cm., 152 pp., 69 color ills., bilingual text: English / Japanese, Ltd. to 300 copies

The volumes ‘The Path to Freedom' tell Ukraine's historical path of a struggle for freedom. They portray the important events from the 1st attempts at a revolution through its photographic language and look at photography's development during this period.

The self-published photographic volume 'Dust to Dust' by Adrian TYLER is about the fragility of existences. It documents in color photographs the remains of abandoned dwellings found in the Outer Hebrides and Orkney Islands between 2004 and 2005.

This 13-volumes collection on the work of Swiss photographer Jakob TUGGENER, 'Books and Films' contains facsimile editions of the first twelve original book dummies from the years 1936 to 1982 as well as a selection of his 16 mm short films on DVD.

The book 'Replies' by Andreas TROGISCH has no theme and no concept. He only has pictures. In front of his eyes and in his head. And he has his camera, which he uses to take new pictures, which then correspond with all the pictures that are already there.

In 'Eight Days A Week' Andreas TROGISCH lets the world come into being by putting the motifs into a kind of natural-historical order. After the original creation is finished punctually to the Sabbath every time, the Anthropocene breaks on the day 7+.

For this artist edition of 'Neue Welt', Wolfgang TILLMANS has selected 72 images and re-contextualized them on large, 24 folded printed sheets. Each is a separate object with a front, center fold and back. And some new photos are not included in the book.

The photo volume 'Edit Beijing' by Guy TILIM is the result of his artist residency in China. Other renowned photographers whose works have been published in this series of photo books with original prints are Pieter HUGO, Michael KENNA and Hannah MODIGH.

Out-of-print book 'Tichy' contains images and quotes by Miroslav TICHY. The foreword / essay are by Harald Szeemann / Roman Buxbaum - both in English & Japanese. With biography, bibliography and a list of reproductions. The book design is by Élise MOUGIN.

The comprehensive publication 'The How we See: Photobooks by Women' is an invaluable reference. Sien contains current and historical photo books by women photographers, a chronology and essays on the history and practice of photo books by women.

As there is a wall clock in almost every household, Matjaz TANCIC titled his out-of-print volume, which oscillates between the future and the past, 'Timekeepers'. Conceived as an old photo album, the 3D images inside show Chinese and their home interiors.

'Today Tokyo' by Chotoku TANAKA is a testimony of an era of change and the changed perception during the Olympic Games in 1964 - not only but also for the Japanese themselves: not as the capital of a defeated country, but as a dynamic city in the Far East

The photographic volume 'Yajiri' by the Japanese photographer Akihide TAMURA, limited to 300 signed and numbered copies, contains fifteen color photographs of flying military aircraft at a U.S. air base near Tokyo.

Pb. (no dust jacket, as issued), 10,5 x 8 cm., 28 pp., 24 b/w & color ills., Ltd. to 120 numbered copies

The photographs in this volume, 'UEKI. Petits Pots et Jardins' by Yasuyuki TAKAGI, could be a walk through an unexpected Tokyo and a form of sustainable development for a new concept of space as well as an expression of the creativity of the inhabitants.

The photo volume 'No one can love like we do' by Ylva SUNDGREN deals about the time in between, about times when you don't have an intimate relationship, about lonely times of waiting and longing. It contains 44 color images and a poem by Sanna Svanberg.

In his photographic volume 'By Lamplight / I lampans sken', Swedish photographer Johan SUNDGREN has documented his work as a caregiver in a nursing home. Through the close relationships formed during daily work, the photos convey real privacy.

'Tokyokei' documents both: Issei SUDA's very personal view of his hometown and an important Japanes period. This photo book is perhaps the most personal title of the Japanese master. It contains 106 previously unpublished b/w photos from the 1970s and 80s

'Miuramisaki' is a narrow, large-format photo book in a beautiful slipcase. The six b/w photographs show the snake that the Japanese master photographer Issei SUDA encountered at home in 1975 and that has thus found its way into the world of photo books.

Slipcased, cloth bound HC, 21 x 22 cm., o. pp., text language: ?, Ltd. to 700 numbered copies

Hand sewn pb., 21,5 x 28 x 0,5 cm., 32 pp. (double gatefold page incl.), 62 b/w ills., text language: English, Ltd. to 750 copies (three covers, 250 each)

'Supernatural' by Katja STUKE is the result of a long-term project and limited to 150 copies. The work shows portraits of artistic gymnasts and high diving athletes photographed from a TV screen during the Olympic Games in Sydney, Athens, Beijing & London

Self-produced maquette 'Suits. London, Tokyo, New York 2007-2008 vs. Facts & Fiction 1929-2008' by Katja STUKE focuses on one single theme, suits and how they are worn. Limited to 150 copies.

The images by Uwe STEINBERG in 'Berlin. Fotografien 1963-1983' range from observations in the Central Market Hall at Alexanderplatz from the early 1960s to insights into the industrial working world of the 70s to a long-term study of Schönhauser Allee.

'Gathered Leaves Annotated' by Alec SOTH brings together five books on over 700 pages of newsprint, updated the original by adding double-page spreads with detailed annotations as notes & text, as well as additional photos. A new compass through his work.

'Broken Manual' by Alec SOTH is the result of a long-term project. The Magnum photographer explores here those places where people retreat to escape civilization: Monks, survivalists, hermits as well as runaways. And yet this is no ordinary documentary.

The powerful and expressive gestures on the surface of the image in the photographic volume 'Surface Tension' by US photographer Tabitha SOREN depict a dystopian outside world intermingled with the fingerprints and greasy imprints of our embodied selves.

In 'Signs and Traces', Swedish photographer Gunnar SMOLIANSKY has captured the little things in life. They are black-and-white shots of things that most people carelessly pass by. Traces of people, without the people themselves appearing in the pictures.

This photo volume, 'Streets of Boston' by American photographer Mike SMITH, gathers detailed black and white portraits of residents of Boston streets. He worked with a large, weighty camera that held people's attention long enough to get the job done.

After photo volume 'Until I break', 'Hard Theory' is the second self-published book by photographer Thomas SING. The texts in English & German were developed and written with Alexandra Keiner and Chiara Padovan. In paperback format, limited to 400 copies.

The photo book 'Album' by Oliver SIEBER contains portraits of people in different situations, which were subsequently extracted to insert them into new spaces. The focus is on the figure of the portrayed person as well as the illusion of a real sculpture.

The 'Qu Jing' (Shrew) is about the speed of growing up and contains photos taken by the young photographer Lin SHU during his life as well as his travels, as an expression of his personal experiences of loss & gain, letting go & possession, sadness & joy.

In 'Shikawatari' (Deer Crossing), Chieko SHIRAISHI focuses a herd of deer. The shy animals roam through the snowy landscape of wintry Dōtō (Eastern Hokkaido), across frozen lakes and sparse forests. Both keep distance from another, and watching each other

'Ayu no Kaze', found in Japan's oldest volume of poetry, is a sailor's saying and roughly means 'wind of promise'. This photo book diary of longing and serenity alludes to intimate and at the same time universal changes in life.

The self-published photographic volume 'Dry' by Abdo SHANAN is about migration. It is meant to question our self-image and make the viewer feel uncomfortable and uneasy, as well as doubt everything we have been told about national identity and 'belonging'

Leporello bound HC with acetate dust jacket, 12 x 16 x 2,5 cm., 20 b/w ills., no text

'Cirren' by Angela SCHWANK contains photos showing the diversity of cirrus clouds and other high-altitude cloud forms and man-made changes in their appearance caused by air traffic. The negatives were taken over Vienna & surroundings and the Netherlands.

In his after sought and long-out-of-print volume 'Grays the Mountain Sends'Bryan SCHUTMAAT combines portraits, landscapes, and still lifes to explore the lives of working people residing in small mountain towns and mining communities in the American West.

In his book debut photo book 'FOLK', US-American Aaron SCHUMAN explores the Ethnographic Museum in Krakow, focusing specifically on the regional and cultural heritage of his ancestors. Personal narratives are interwoven with preservation and documentation

Vorzugsausgabe mit sign. & num. Originalabzug (Aufl. 20 +2 hc) in gewebebezogener Grafikmappe. Buch: HC, 32,5 x 28,5 cm., 120 pp., 112 ills.(43 in color), German & English

Out-of-print book 'Nurture Studies' by Diana SCHERER recalls illustrations in 17th-century botanical encyclopaedia as well in books from the 1970s. Despite references to these predecessors, the artist produced images that are bare, unadorned and original

Out-of-print 'The Peace Weary' by Diana SCHERER and Menno Wigman was created after 'A Murder in Rotterdam' with police photographs from 1905 to 1967. Independently of each other, both were inspired by the photographs and developed this joint book project.

The out-of-print photo publication 'Umbra' by Viviane SASSEN delves into the world of shadows. A seductive and deceptive darkness that lies in every human soul, like a silent black lake with a surface as flat as a mirror that can only be broken.

'Roxane' represents the visual journal of the photographer Viviane SASSEN. The book shows a series of intimate portraits of her muse named Roxane, whose body and expressions follow the artist's instructions in various poses and moods.

HC, 29 x 29 x 1,5 cm., 52 pp., 25 color ills., bilingual text: Swedish / English, Ltd. to 525 copies

In 'Des Oiseaux', Finish travel photographer Pentti SAMMALLAHTI captures the secrets of nature and among them the world of birds. Coasts, marshes, parks, endless plains, forest clearings, snowy landscapes where birds reveal their presence in a refined way

The limited editon photographic volume 'After the Snowstorm' by Yasunori SAITO, produced in Japanese binding, shows white areas within individual plants rising from the snow. The pictures were taken in the northernmost part of Japan, in Hokkaido.

For his 'Tableaux chinois', Thomas RUFF has digitally processed Chinese propaganda images distributed worldwide by the Communist Party. In this large-format photo volume, the work transports the images of the 20th century into today's visual language.

This 'Special Edition Catalogue' is the first collection world-wide to feature each of the 18 series in Thomas RUFF's extensive portfolio. One of the special points about this collection is the use of different paper grades for the five included books.

The thirty-four color photographs in the photo volume 'Sven' by Swedish photographer Peter de RU show his daily routine of an eighty-eight year old surrounded by nature, fishing and his wooden house. Past, present and future seem to exist simultaneously.

For her photo volume 'Letters I didn't sent', Swedish photographer Jenny ROVA documented all the personal letters and e-mails that she I wrote and saved but never dared to send. The letters are from a period of fourteen years.

'Le Collége' by Florian van ROEKEL deals about everyday life at school and about growing up. Possibly the young people are enabled by the pictures to see themselves, each other and their school with new eyes and learn to discover poetry in everyday life.

The photographic volume 'Inexplicata Volantes' by Swiss photographer Luciano RIGOLINI contains photographs found in a ufology center. Reproduced without any manipulation, the images serve the need to explore their poetic power.

American photographer Doug RICKARD's small hardcover volume 'All Eyes On Me' contains eleven four-color plates of Polaroid images in full color on 16 pages with an original signed photograph.

The title of the out-of-print autonomous artist book 'Sindbad' by Gerhard RICHTER comes from a series of 98 colored lacquer paintings behind glass (2008). Already in his first installation he created the book's concept by putting them together as diptychs

'Gerhard Richter. Artists Books 1966-2021' is an annotated catalog raisonné by Uwe Koch, who has assigned a total of 56 numbers. Bibliographical data & manufacturers are listed and occasion and book concept listed, accompanied by detailed illustrations.

In photo volume 'Socorro!' Lucy RAVEN documents the shockwaves at an explosives range in New Mexico as silver gelatin shadowgrams on large format photosensitive paper and negative film. The results are subtly inflected abstractions in this artist’s book.

'Quitting Your Day Job. Chauncey Hare's Photographic Work' addresses the difficult relationship between art & politics that has defined the career of Chauncey HARE. Robert Slifkin draws on largely unexplored material to analyze these brilliant photographs

The leporello volume 'One Day Every Day' by Zuzana PUSTAIOVÁ is an ironic commentary on social norms. It shows the deeper layers of institutional restrictions, which are thought up by politics and passed on to the public by the media and social networks.

The photo volume 'The Significant Savages' by Gregoire PUJADE-LAURAINE contains an arbitrary selection of social network profile images that show alternative artifacts instead of people, e.g.: Forests; animals; bicycles, boats; cities, socks or galaxies.

The photo book 'Alternative Moons' is the first joint artist volume by Robert PUFLEB & Nadine SCHLIEPER about how a sudden journey began into a world of truth and narrative, of illusion and imagination, you are the cosmonaut exploring the inside.

The volume 'Good Morning, America III' by Mark POWER is the 3rd of 5 - a visual narrative of a country in the midst of change. This project is a personal exploration of both the American cultural & physical landscape, and the divergence of reality & myth.

Limited edition volume 'Cargó' by Igor POSNER represents an exploration of the psyche of migration. Stored as in a suitcase, the images inside represent fragments of life as well as layers of memory: a repository for an intimate, yet collective existence.

'Omo Change' by Fausto PODAVINI deals on Omo River & The Gibe III dam which disrupts the balance of one of the most incredible areas in Africa in the name of development, by diverting a local resource for profit of local elites & international investors.

This volume, 'Once, When We Were Happy' by Misha PIPERCIC, is about family and his hometown Sarajevo, as well as Bosnia, about former Yugoslavia, feelings, survival, fears, understanding & not understanding the war, wounds & healing. His red line is LOVE.

SC with plastic dust jacket, 20 x 15 x 1 cm., 180 pp., color ills., text language: English, Ltd. to 850 copies

The photo essay 'Valparaiso' by Swedish Anders PETERSEN - taken during an extended stay there in 2014 and here published in paperback format - describes life on the streets and in hidden corners of the Chilean port city in more than forty b/w photographs.