Leporello

With works by international photographers Michele TAGLIAFERRI, Lieko SHIGA, Bernardita MORELLO, Gregory HALPERN, Marten LANGE, Miren PASTOR, Ricardo CASES, Go ITAMI

Leporello, 11 × 13,5 x 1,5 cm., 17 post cards on one printed sheet, English, Ltd. to 800 copies

In the leporello-format book 'Galeb', Matija BRUMEN documents the interior of the state yacht with an eventful history during WW II, which was used by former Yugoslav President Josip Tito for representation (1952 to 1980) and is currently rotting unused.

Self published photo volume 'Provisional Life' by Icelandic photographer Rannveig EINARSDOTTIR is the result of a project about refugees living in German refugee homes. It comes as a arge format leporello with a (rather hidden) German/English text pages.

The leporello photo book 'Prosopagnosia' by Joan FONTCUBERTA & Pilar Rosado shows portraits from the 1930s, which serve as the basis of the project. On the back are images produced with artificial intelligence - as a wonderful sequence of failed attempts.

This out-of-print photo volume, 'Decreazione' by Josef KOUDELKA, designed as a leporello, accompanied the exhibition of nine large-format black and white panorama photographs that were exhibited in the Vatican pavilion during the 2013 Biennale.

Out-of-print leporello photo volume 'Teatro Del Tempo' by Joseph KOUDELKA, shows twenty-five photographs taken by in Rome between 1999 and 2003. Atmospheric architectural and landscape photographs that point to the cultural heritage of contemporary Rome.

After graduating from ICP, photographer Ni LIANG turned to the familiar and overlooked. He put aside his large format camera, picked up his iPhone 4, and focused on documenting his hometown lake, Lake Tai. 'Memory of the Lake' comes in accordion format.

Eiji OHASHI's long-awaited photo book from his 'Roadside Lights' series of vending machines in winter landscapes. The volume published here as Leporello is a continuation of the highly acclaimed photo series of vending machines along the streets of Japan.

The leporello volume 'One Day Every Day' by Zuzana PUSTAIOVÁ is an ironic commentary on social norms. It shows the deeper layers of institutional restrictions, which are thought up by politics and passed on to the public by the media and social networks.