Japan

HC with dust jacket & obi, 26,5 x 26,5 x 3 cm., 324 pp., b/w ills., bilingual texts: Japanese / English

Photo book 'Cotton Rose', is the result of a long-term project in a Japanese prefecture, where Jitka HANZLOVÁ visited people and ceremonies over two years. For her, the cotton rose is a symbol of the Japanese soul: fragile and persistent at the same time.

In 2019, Daido MORIYAMA spontaneously decided to publish photographs from Yokohama, the 2nd largest city in Japan, where he had had 'a good time' during the summer. The b/w material was enough for two volumes, 'Akai Kutsu' volume 1 & 2 in the same format.

The photographs in the book 'Hey! Hattori' by Yasushi MORI illustrate the love spun together by the Japanese photographer and his pet cat Hattori-kun, who fled Futaba, a town in Fukushima when the Great East Japan Earthquake devastated the region in 2011.

The photo volume 'Monochrome' contains a fine selection of very contrasting contemporary black and white photographs by Daido MORIYAMA, taken in the years between 2008 and 2012. The volume complements its simultaneously published counterpart 'Color'.

In his ongoing 'City Diary' project, Anders PETERSEN - awarded with the Dr.-Erich-Salomon-Award, DGPh - examines the less public side of urban life, in volumes #1 to #3, he photographed such different cities like Stockholm, Tokyo as well as St. Petersburg

Handsewn pb., 21,5 x 28 cm., 44 pp., 25 b/w ills., text language: English, Ltd. to 1,000 COPIES

The Anti-War book 'Kriegsfibel' (War primer) by Bertolt Brecht and Ruth Berlau processes press photos from the Second World War. Images of machines and gruesome scenes were given new captions, socialist-realist epigrams to give the scenes a primal meaning

The photo volume 'Rowing a Tetrapod' by Japanese photographer Fumi ISHINO follows an aleatoric structure and is about the distinction between the local & the foreign and how it blurs. The book creates an imaginary space that is prone to misinterpretation.

HC (without dust jacket, as issued), linen, 23 x 28,5 cm., 120 pp., 100 color ills., Japanese

Pb. with obi belt (no dust jacket, as issued), 18 x 26 x 3,5 cm., 365 pp., 410 ills. (365 b/w ills., 45 ills. in color), text language: Japanese

HC (no dust jacket, as issued), 23 x 25 x 1,5 cm., 128 pp., 122 color ills., text language: ? Ltd. to only 600 copies

In the book 'Tokyo Debugger', Shinya ARIMOTO intersperses photos of abandoned architectures as traces of past human activities, expanding the scope of his insect series - another world within Tokyo, dominated by the most successful creatives on the planet

'Masahisa FUKASE' introduces one of the most radical and original Japanese photographers of his generation, famous for 'The Solitude of Ravens'. It also includes lesser known works from his multi-layered corpus such as collages, self-portraits, Polaroids.

'Provoke. Between Protest and Performance ', accompanied the first exhibition as a catalog, which was shown through the magazine and the photographers involved - Daido MORIYAMA, Takuma NAKAHIRA, Yutaka TAKANASHI - and determines its historical relevance.

Slipcased HC, 30,5 x 38 x 2 cm. (12 x 15 in.), 48 pp., 40 duotone b/w ills., text language: English, Ltd. to 350 numbered copies

In this photo book, '78', with previously unpublished material, which was created between 1971 and 1983, Issei SUDA's unique & deeply urban vision unfolds in a series of contrasts and allusions. The contrasting black tones of his work became his trademark

Pb. (no dust jacket, as issued), 18 x 26 x 0,5 cm., 12 pp., 19 color ills., text/subtitle language: Japanese - JAPANESE TEXT ONLY

'Theatre of Memory' by Eikoh HOSOE with photographs of Butoh dancers Tatsumi Hijikata (in 'Kamaitachi') as well as Kazuo Ohno ('Butterfly Dream') shows the ability to bring memories to life through the intersection of photography, dance theater & painting