Germany

This version of the book 'EIN-HEIT' (U-NI-TY) is a re-edit. Originally published in 1996, Michael SCHMIDT investigated the question of 'unity', tracing the symbolism & iconography of political systems, their propaganda & the images of people they project.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 18 x 25 cm., 352 S., S/W-Aufnahmen. deutsch-sprachiger Text - GERMAN TEXT ONLY!

With his book with analogue color photographs, 'Enter the Forest', Alexandre Miguel MAIA continues a tradition that sees the forest as a recurring theme in photography. The book was printed on certified recycled paper and produced entirely in Germany.

The 'Picture Book' by Hannah HÖCH contains adventures of mythical creatures in a zoological garden surrounded by flowers and plants. It is a children's book AND an cultural-historical document designed according to the Dadaist principle of photomontage.

HC, 15 x 20 cm., 128 pp., 100 ills., bilingual text: German / ENglish

Robert CAPA is considered to be the founder of photojournalism. His impressive photos of the Spanish Civil War made the passionate opponent of war world over night famous. In addition to most famous works, this portfolio also presents rediscovered images.

This book, 'Fotogeschichten Sülz und Klettenberg. 1855-1985', shows the neighborhoods from the end of 19th century to 1980 and the people who lived and worked here. Images, texts & commentaries make this contribution to Cologne's urban history so valuable

'Fotografien 1980-2010' gives a perfect overview of the photographic work of Hans-Christian SCHINK, including his series around German unity and series created in Asia. The conflict between civilization and nature can be found in almost all his works.

The narrow catalog for the exhibition 'foto-auge' in the Hamburg Deichtorhallen (2002-2003), which has been out of print for a long time, contains a five-page introduction to art history and personal biographical data as well as 28 b / w illustrations.

From its title to its formal arrangement of language, 'Dein Kampf' suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin - a city in which several ideologies collided - is their natural backdrop.