Familiar topic

For nearly two decades, Harry CALLAHAN photographed his wife in countless ways: nude & clothed, on the beach, in the woods, in public parks & on city streets, and in the privacy of the family home. 'Eleanor' is the definitive publication of these photos.

HC (no dust jacket, as issued), 17 x 23 cm., 112 pp., 101 color ills., text language: English

'Family Car Trouble' plays with the form of the novel, both material and narrative, to illustrate the inner workings of the photographer. The recordings document arrival and departure as well as the maintenance of a difficult 1993 Volvo 940 station wagon.

German photographer and father Oliver RASCHKE is grateful to have had the opportunity to experience and document his family life. His volume 'The World Ain't Enough' represents the first 10 years of his sons' lives. Time is racing. The conquest continues.

Richly illustrated compendium with many readable and interesting essays. The extensive field of amateur or commercial photography is examined: pictures that were created for bureaucracy, commerce & for personal commemoration - in contrast to artistic use.

For the photo volume 'At Home', Susan KANDEL looked for families who would allow themselves to be photographed at home and succeeded in being invited into many private homes. As a result, she discovered that each house she entered was a world of its own.

'Here and Home', a comprehensive overview on the work by Larry SULTAN accompanied a large retrospective with the major series 'Evidence', 'Pictures from Home', 'The Valley' and 'Homeland'. It includes also early works as well as his writings & interviews.

The winner of the First Book Award 2014 includes staged family photos. 'FROWST' refers to Bert Hellinger’s therapeutic method 'Family Constellations'; the title' takes up the paradoxical nature of the family: Frowsty rooms are both cozy and claustrophobic

Mortality and the slow dissolution of late age are the main theme in the photo book 'Mother' as well as another aspect: If we fluctuate between life and death, the roles of child and parent become observers, the created becomes the creator.

HC (no dust jacket, as issued), 18 x 24 x 1,5 cm., 112 pp., 83 b/w duplex ills., bilingual text: French / English

In the book 'Over Time: Conversations about Documents and Dreams', Alessandra SANGUINETTI reflects with her cousins on the 'The Adventures of Guille and Belinda' series and its development. The in-depth conversation is illustrated with unpublished images

Out-of-print volume 'Portraits' presents more than 300 images of musicians, writers, artists Lee FRIEDLANDER has encountered over four decades. They show celebrities in private spaces, captured in living rooms & kitchens, in conversation or in an embrace.

In her photo volume 'Summer Heart', Cologne based photographer Thekla EHLING accompanies the growing up of her own children. She documents situations and moods and the viewer finds himself entangled in associations and memories of his own childhood.

In this book Dotan SAGUY documents the ten-month stay of a family who immigrated from Brazil to the USA and their alternative lifestyle in Los Angeles. The book remembers on Sally MANN's 'Immediate Family', b/w photographs are accompanied by interviews.

In 'Tween' Oliver RASCHKA accompanies his sons through the labyrinth of the 'tween' years. He fills a gap in contemporary photographic art. From Käthe BUCHLER to Sally MANN and Katharina BOSSE, the view of one's own children has been dominated by women.

Pb. in plastic bag, 17 x 22,5 cm., 40 pp., approx. 42 color ills., no text, Ltd. to 250 copies

HC (no dust jacket, as issued), japanese apper, 24 x 21,5 x 1,5 cm., 112 pp., 65 tritone b/w ills., text language: English

The volume 'You can call me Nan' by Will HARRIS is a personal yet universal family memoir. We meet his grandmother, who suffered from dementia in the last years of her life. The photographer, once her grandson, became an old friend and created this work.

Out-of-print 'Rewind' by Nina KORHONEN is the last part of a book trilogy. Self-portraits and family scenes merge into a highly emotional image that draws its power from subtle moments of emotion that evoke associations with love, death, joy and suffering

The book 'Pictures From Home' by Larry SULTAN as a reissue of the title documenting his repeated return to his childhood home. For this, Super 8 films were newly digitized as well as everyday footage juxtaposed with the 'American Dream' of the Reagan era.