Architecture

The out-of-print volume 'Retrospective' on Douglas BUSCH includes works ranging from street photography, architecture and landscape photography to color photographs that leave the field of photography. With texts in German, translated to English.

Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.

The volume 'Berner Blitz' by René BURRI is the first to focus on his photographs in color, in which he processed diverse motifs such as nature, religion, industry, politics and architecture. The photographic book was printed on polypropylene 'paper'.

In 'Kings Road', Mona KUHN examines the Schindler House in Los Angeles, an avant-garde hub for intellectuals & artists in the 1920s & 30s. Alongside reproductions she made a series of solarized gelatin silver prints, a technique favored by the Surrealists

The out-of-print photo and text volume, 'Berenice Abbott. Eugène Atget' by Clark Worswick describes the American photographer ABBOTT's vision of the French photographer ATGET, who single-handedly changed photographic modernism in the twentieth century.

reprint 2019, broschierte Ausgabe in einem transparenten Slipcase (14 Ausgaben mit separatem Kommentarband, etwa 32 S.) , 21 x 30 cm., 316 pp., 418 ills., deutsch-sprachiger Text - TEXT ONLY IN GERMAN!

Photo volume 'Nowhere' by Frank van der SALM - designed by Irma BOOM - shows a world that is mainly about Instagrammability. Architecture, design and cityscape driven by the mechanisms of global big business - everywhere the same antiseptic beauty.

In the photographic volume 'The Sad-Eyed Lady', photographer Harf ZIMMERMANN documents the Berliner Luft- und Badeparadies ('Blub' for short), a once popular swimming and leisure center in the Berlin district of Britz, which is now a graffiti-covered ruin

The volume 'Theorea' by Axel HÜTTE contains works from 1994 to 1996, showing industrial areas on the outskirts of the city, company premises in the green and Tuscan cultural landscape, seen through the concrete pillars of a utility building - no people.

For self-published book 'Berlin-Tegel Airport', Andreas GEHRKE documented the once crowded main terminal, the disused airfield and the abandoned outbuildings. His pictures show a juxtaposition of vision and standstill and how they finally became reality.