American photographer

Slipcased DVD (PAL,) approx. 75 min., English

For nearly two decades, Harry CALLAHAN photographed his wife in countless ways: nude & clothed, on the beach, in the woods, in public parks & on city streets, and in the privacy of the family home. 'Eleanor' is the definitive publication of these photos.

US photographer Edward WESTON kept a diary in which he recorded his struggle to understand himself, society and his art. 'The Daybooks of Edward Weston' were edited by Nancy Newhall in two volumes: one for his time in Mexico and one for Californian time.

In 'Sea Stories', the photos by Robert ADAMS describe the cycles of nature with a new naturalism. It contents a sequence of three visual narratives: among alder and maple trees, along the beachand back through meadows and what remains of the inland forest

HC, 24,5 x 31 cm., 104 pp., 91 color ills., text language: English

From its title to its formal arrangement of language, 'Dein Kampf' suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin - a city in which several ideologies collided - is their natural backdrop.

'Family Car Trouble' plays with the form of the novel, both material and narrative, to illustrate the inner workings of the photographer. The recordings document arrival and departure as well as the maintenance of a difficult 1993 Volvo 940 station wagon.

HC (no dust jacket, as issued), 30 x 37 x 2 cm., 54 pp., duotone b/w ills., text language: English

In 1963, Ed RUSCHA photographed filling stations from Oklahoma to LA. He published them in 'Twentysix Gasoline Stations'. He took 60 photographs which he edited to 26. 7 unpublished images from New Mexico are reproduced here, from the original negatives.

SC (no dust jacket, as issued), 24 x 32 x 2 cm., 128 pp., 50 color ills., English

This photo book, 'From Black and White to Color', contains some exceptional, as yet unpublished photographs and shows the development, breaks and above all the radicalism of William EGGLESTON when he started taking photographs in color in the late 1960s.

Slipcased HC with dust jacket, 30 x 38 x 2 cm. (12 x 15 in.), 48 pp., 28 four color & b/wills., text language: English, Ltd. to 350 copies

Richly illustrated compendium with many readable and interesting essays. The extensive field of amateur or commercial photography is examined: pictures that were created for bureaucracy, commerce & for personal commemoration - in contrast to artistic use.

HC (no dust jacket, as issued), 23 x 28 x 1,5 cm., 96 pp., 110 color ills., bilingual text: German / English

The powerful black-and-white images in out-of-print photographic volume 'London 1958-59' by Chilean Magnum photographer Sergio LARRAÍN present a vivid portrait of a coal-fired, smoke-filled London long gone.

This photo volume set 'Seven Stories' by Robert FRANK is a collection of small volumes that represents a new stage in his practice. As always, his photographs and stories relate to life and milieu: houses in Mabou and New York or trips to China and Spain.

In his work, here in 'Figure & Ground', Richard RENALDI melds two classic photographic genres - portrait and landscape - into a single descriptive frame that speaks as much to a sense of the individuals before the lens as it does to the space they inhabit

HC, 31,5 x 28,5 cm., 168 pp., color ills., text language: English

This catalog contains two significant photo projects from American photographer Mitch EPSTEIN: 'Recreation' documents the openness of a pluralistic society. 'American Power' draws attention to one of America's central power factors, the energy industry.

by Colin Westerbeck (ed.). HC with dust jacket, 29 x 29 x 2 cm., 120 pp., 100 b/w & color ills., text language: English