African photographer

'Post script' by Laura EL-TANTAWY, designed by Sybren KUIPER in accordeon format, contains previously unpublished images & written reflections in which she takes the reader behind the images and into the thoughts and emotions that led to their creation.

HC (no dust jacket, as issued), 19 x 25,5 cm., 184 pp., 100 b/w ills,, text language: English

What emerges in 'Golden Apple of the Sun' by Teju COLE, is a surprising portrait of a kitchen table in a home at a time of social, cultural as well as political upheaval. A written essay whose themes are as broad as the photos are broad in their subjects.

The first overview volume on the work of Samuel FOSSO. From self-portraits from the 1970s to his most recent series 'Tati' & 'African Spirits', this photo book shows his departure from the West African studio photography of a Seydou KEITA or Malick SIDIBÉ

The volume 'Seydou Keita. African photographer' contains over 200 portraits, capturing the personalities of his subjects. He utilized a wide variety of props to further this goal. What comes across most clearly in these photos is the beauty of the people.

In his new photo volume 'Solus. Vol.1', Pieter HUGO reflects on aesthetic values in the fashion industry. In portraits of models cast on the street, he examines the commercialization of youth and the paradox of striving for both otherness AND conformity.

HC with dust jacket, 24 x 32 x 4 cm., 383 pp., color ills., text language: English

HC with dust jacket, 27 x 25 cm., 263 pp., b/w ills., English

In 'Intersections,' David GOLDBLATT explores the aftermath of apartheid in and outside Johannesburg. Made up entirely of color works, it reveals the contrasts that define South Africa while marking the beginning of an important new phase in his work.

This compendium of South African photography, 'Figures & Fictions', offers a first overview of contemporary photography in this part of the African continent and brings together well-known photographers.

Re-edit, linen bound HC with dust jacket, 28,5 x 28,5 cm, 180 pp., b/w ills., text language: English

The b/w images taken with a Leica by the Ivorian photographer Ananias Léki DAGO for the out-of-print book 'Shebeen Blues. The Wheel is still in Spin' are fed by lines; Bottles, billiard cues, excised body fragments, hands linger; Shadows deepen, stand out

SC, 25 x 32,5 cm., 168 pp.

The out-of-print volume 'In the Shadow of the Pyramids' by Magnum photographer Laura EL-TANTAWY appears to be a general account of the hopes and setbacks associated with the Egyptian revolution.But through the texts it gains considerable personal depth.

In the photo volume 'Avenue Patrice Lumumba' the South African photographer Guy TILLIM deals with the urban architecture of colonial and post-colonial society in Africa. His focus is on their changes due to multiple shifts in power over the past 50 years.

This book is a thoughtful guide for photographers through today’s complex landscape of images, with the ultimate goal of understanding how to make images that matter: Understanding Photographs, Making Photographs, and Moving in Pursuit of Unique.

Out-of-print photo volume 'South Africa. The Structure of Things Then' represents the culmination of photography, research and writing by David GOLDBLATT. His more than 30 years of experience lends a meaningful undertone to the carefully composed images.

Five paperbacks (no dust jacket, as issued), 20,5 x 27,5 cm., ? pp., color & b/w ills., no text, limited to 100 numbered copies. Oodee, 2013.

The b/w photographs in 'It's too funky in here' dance like the photographed dancers, twinkle like the eyes of the portrayed youth. Malick SIDIBE is the catcher of joy. Omnipresent at decisive moments that really needed to be caught - the memory of Bamako.

HC in accordeon style, 13 x 18 x 3,5 cm., 127 pp., 120 color ills., text language: English

The images in the volume 'Partuclars' by South African photographer David GOLDBLATT were taken beginning in 1975, but the first edition of the book was published in 2003. For this re-edit, he has revised the original version of the book.

In his book '22 day in Between', Salih BASHEER collects the few memories he has of his parents, who passed away when he was 3 years old. These memories, seen from a child’s perspective are presented in a mix of images, writing, self-portraits and drawings

Pb. (no dust jacket, as issued), 20 x 26 x 1,5 cm., 105 pp., richly illustrated, text language: English

This photo book about Liz Johnson ARTUR brings together portrait photographs in color and black-and-white taken in various countries: Peckham, Russia, USA, Africa, the West Indies & Europe. In the main, she photographed milieus, such as the Paris ghettos.

The winning title of the First Book Award 2017. 'Nothing's in Vain' is a journey through Dakar, a metropolis in constant change. It is the photographer's answer to the experience of being uprooted and disoriented in the vibrant Senegalese capital in 2011.

The volume 'Casablanca Chandigarh: A Report on Modernization' reflects the urban reality in both metropolises, complemented by two photo essays by Yto BARRADA and Takashi HOMMA. It offers an expanded view of the potential and character of the modern city.

'Life & Afterlife in Benin' opens a new chapter in the history of photography in Africa. Portraits of the photographers in Benin are marked by dark dramas and deep mysticisms; they show a people caught between a pre-colonial past & a post-colonial future.

This photo compendium celebrates the fortieth anniversary of the Hasselblad Award and the influential work of all its winners to date. They are international artists, innovators, activists and legends who have shaped the modern history of photography.

HC, 30 x 30 cm., 108 pp.

HC (no dust jacket, as issued), 30,5 x 28 cm., 180 pp., 57 duotone ills., trilingual text: English / French / Portuguese

Housed in a silk-screened slipcase & spiral bound (japanese style), 76 folded pp., 24 x 33 cm. (9,44 x 13 in.), risograph printed b/w ills., Ltd. to 400 signed copies

The photo volume 'Photographs, Bamako, Mali 1948-1963', by Seydou KEITA draws from an expanded archive and offers over 400 mostly unpublished portraits from the photographer's heyday. His photos document Mali's people until shortly after its independence.

With works by Ian BERRY, Eli WEINBERG, Alf KHUMALO, David GOLDBLATT, Peter MAGUBANE and more

SC, 24 x 28 cm., 140 pp., b/w & color ills., text language: English

from the Walther Collection by Okwui Enwezor (ed.) With photo works by Seydou KEITA, Malick SIDIBÉ, J.D. Okhai OJEIKERE, Santu MOFOKENG, August SANDER, Bernd & Hilla BECHER (among others)

Published as a newspaper, 'the people' by Laura EL-TANTAWY's aims to preserve the vanishing memory of one of the most relevant chapters in modern-day Egypt’s history. The text is based on interviews with Egyptians during and after January 25th, 2011.

In this out-of-print photo volume 'There's a Place in Hell for Me and My Friends' Pieter HUGO devotes himself to those components that are 'active' under the surface and consist of a much broader spectrum. What seems to divide us at the actually unites us

Boxed HC - Special Edition (different design) with print, 28,6 x 25,4 x 3 cm., 120 pp., color ills., textv language: English

The illustrated book 'Photography Now: Fifty Pioneers Defining Photography for the Twenty-First Century' by Charlotte Jansen includes works by D'AGATA, CREWDSON, GOLDIN, McGINLEY, MEISELAS, PARR, RUFF, SHERMAN, SUGIMOTO, TELLER, TILLMANS, WALL and YOKOTA.

In his photo book 'A Little Louder', Algerian photographer Abdo SHANAN interrogates and documents in his own way, the 'Hirak', the peaceful protest movement that has shaken Algeria since February 22, 2019 and that continues with vigor despite the pandemic

'SIXSIXSIX' consists of 666 large-format Polaroid self-portraits, made in 2015 and 2016. Samuel FOSSO's challenge was to create 666 self-portraits each with a different bodily expression, reminding us of the link between his performances and photography.

In 'The Transported of Kwandebele' David GOLDBLATT documents journeys by workers as a metaphor for their arduous struggle toward freedom. In unsentimental or artifical images, the grim determination of the people to survive emerges in almost heroic terms.

The catalog 'Accra/London. A Retrospective' is dedicated to the body of work produced to date by Ghanaian photographer James BARNOR, tracing his photographic practice over six decades: both the work in his homeland and his work, from London in the 1960s.

AS SIGNED COPY!

In Guy TIILIM's 'Museum of the Revolution' his Street Photography in cities including Johannesburg, Nairobi among others shows a new reality: it differs from the economic stagnation caused by the socialist politics that accompanied African nationalism.

Out-of-print volume 'David Goldblatt. Photographs' is an anthology of the South African photographer's works, published on the occasion of the 2006 exhibition in Arles (with Martin Parr as curator). It takes the viewer from 1960s South Africa to the 2000s

Archival boxed set of 21 pb.s , 24 x 32 cm., 1,046 pp., 551 ills., text language: English. Ltd. to 1,000 copies

With the photo book 'La Cucaracha', the South African photographer Pieter HUGO has once again succeeded in creating an impressive social portrait in which he was more interested in the people of Mexico than in the country's architecture or economy.