90s

This unique collection, named as the 'William Eggleston PhotoBookLibrary', consists of 20 titles by renowned American photographer William EGGLESTON. Some titles have been out of print for a long time and can here only be purchased in their entirety.

Cafe Lehmitz Photobook Libraries shall enable collectors as well as institutions to acquire out-of-print titles at a price that can be paid. This library, the Paul GRAHAM Photobook Library, contains currently 19 photo volumes - mainly signed copies.

This collection shows five decades of the photoworks by Gordon PARKS - widely recognized as the most important & influential African-American photographer of the 20th century. He combined documention and art with a profound commitment to social justice.

A collection of various photo book titles by the US-american photographer Robert ADAMS (b.1937). The titles listed in this set are out of print and / or signed. This complete offer can include various editions of the same title.

Offered here is a set of various photobook titles by American photographer Mitch EPSTEIN (b. 1952). Some of the titles in this set are out of print. The 'Little Mitch Epstein Photobook Library' consists of twelve titles.

Vorzugsausgabe mit sign. & num. Originalabzug (Aufl. 20 +2 hc) in gewebebezogener Grafikmappe. Buch: HC, 32,5 x 28,5 cm., 120 pp., 112 ills.(43 in color), German & English

Linen bound HC (no dust jacket, as issued), 31 x 31 x 4 cm., 312 pp., 200 b/w ills., 2,900 gr., Dutch

With its generous image flow, this book, 'A Diary', celebrates important Japanese photographer Daido MORIYAMA as the 2019 Hasselblad Award winner and his highly influential, lifelong radical and authentic approach to photography.

In 'Go-Sees. Girls Knocking on My Door', Juergen TELLER questions fashion industry and the world of models. Shot in the different lights of the changing seasons, but always at the entrance to his studio, the portraits seem to merge into a single image.

The book 'Showcaller' explores the work of Talia CHETRIT which is filled with a desire to control the physical and historical limits of the camera, to pursue its potential for manipulation, and to question the relationship between photographer and subject