20s

This book, 'Fotogeschichten Sülz und Klettenberg. 1855-1985', shows the neighborhoods from the end of 19th century to 1980 and the people who lived and worked here. Images, texts & commentaries make this contribution to Cologne's urban history so valuable

This chronologically arranged monograph on the work of Eugène ATGET shows a photograph and includes the commentary of the editor, John Szarkowski. However, it is less about an exact analysis than about capturing the context and describing the attributes.

US photographer Edward WESTON kept a diary in which he recorded his struggle to understand himself, society and his art. 'The Daybooks of Edward Weston' were edited by Nancy Newhall in two volumes: one for his time in Mexico and one for Californian time.

This anthology contains 160 pictures by ninety female photographers to answer the question of whether there is a 'female gaze' in photography. The focus is on the four major subject areas of social reality, family, female body and virtual reality.

The narrow catalog for the exhibition 'foto-auge' in the Hamburg Deichtorhallen (2002-2003), which has been out of print for a long time, contains a five-page introduction to art history and personal biographical data as well as 28 b / w illustrations.

This out-of-print photo volume 'Menschen ohne Maske. Photographien 1906 - 1952' by German photographer August SANDER in paperback format is a re-issue of a 1971 publication, released at Swiss Bucher Verlag.

English or German. Based on Helmar LERSKI's series 'Metamorphosis', this compendium, 'Faces. The power of the face', brings togehter portraits from the time of the Weimar Republic. Experiments, feminist role-playing games and political ideologies collide.

'Cologne and its photo books. Cologne in the photo book from 1853 to 2010 'by Werner Schäfke shows the city as a large puzzle. Whether published in-house, on behalf of the city or industry, they document the diversity of this old & young Rhine metropolis.

Bilingual catalog volume. This slim photo publication about Eugéne ATGET is catalog number 4 of the Cologne-based gallery Rudolf Kicken, which was published on the occasion of the sales exhibition.

The out-of-print photo book 'Die Poesie der Form' (The Poetry of Form) contains around 75 b/w images by Imogen CUNNINGHAM, neither strictly chronologically nor thematically organized: Bodies, plants, still lifes and portraits, including with August SANDER